| Cast overview, first billed only: | |||
| Cory Knauf | ... |
Francis Hamilton /
Thompson
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| Samuel Child | ... |
David Hamilton /
Thompson
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| Mackenzie Firgens | ... |
Darlene Hamilton /
Thompson
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| Joseph McKelheer | ... |
Wendell Hamilton /
Thompson
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| Ryan Hartwig | ... |
Lenny Hamilton /
Thompson
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| Elizabeth Henstridge | ... |
Riley Stuart
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| Daniel O'Meara | ... |
Father Stuart
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| Selina Giles | ... |
Mother Stuart
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| Sean Browne | ... |
Cole Stuart
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| Tom Holloway | ... |
Ian Stuart
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| Sean Cronin | ... | ||
| James Lowe | ... |
Fabian
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Tammy Minoff | ... |
Carol Ann
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| Craig Gellis | ... |
Striker
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| Sean Guse | ... |
Lenny
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On the run with the law on their trail, America's most anguished vampire family heads to England to find an ancient vampire clan. What they find instead could tear their family, and their throats, apart forever.
Forced on the run, a vampire clan arrives in London looking for help and recuperation only to find their hosts have far more diabolical plans in mind when they're captured and forced into a breeding program to ensure survival, putting the two families against each other.
Surprisingly, this turned out to be quite a decent enough vampire effort that does have some pretty enjoyable features about it. One of them is perhaps the most controversial of the film's changes, in how it deals with the vampires in here. Rather than being remorseless nocturnal bloodsuckers unsympathetic with humanity in the slightest, this one portrays two distinct differences that are rather unique: being a condition received at birth and thus being able to walk about in sunlight with no ill effects, and the second issue of having no real interest in humanity other than feeding time and being out and about without getting into the strange, rabid intensity around fresh meat. Here, they're given a little more of an ability to blend in with the rest of humanity and that's quite a fun option here as it goes against so much of what's known and given about the creatures in the folklore. While this change may not be for everyone, the fact that it's no excuse for how slow and uneventful the first half of this is really hard to take into account, which has the ever-familiar stamp of British class and restraint that makes nothing seem important to get worked up over and really drains this of its energy. That said, there's still some good parts here with some fine gore scenes from the multiple kills, a couple of outstanding action scenes coming from a multitude of brawls and gunfights, and a twisting, convoluted storyline that stays on-track throughout these twists and turns that keep this quite enjoyable though not entirely perfect.
Rated R: Graphic Language, Graphic Violence, Full Nudity and several sex scenes.