Ex-criminal Jacob Sternwood is forced to return to London when his son is involved in a heist gone wrong. This gives his nemesis, detective Max Lewinsky, one last chance to catch the man he's always been after.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
I woke up in the hospital and my mother was sobbing, and I asked her what happened to Clarissa, and she said... Well, she didn't. She wouldn't even look at me. And no one ever said anything, but I knew what they were thinking.
[sniffing, then in a whisper]
That I killed her. And they never told me that they loved me ever again.
See more »
Watchable De Palma time killer that borrows heavily from the director's earlier works...which in turn borrowed heavily from Alfred Hitchcock. Whole lot of borrowing going on. Still, that has little to do with judging how entertaining the film is and more about judging its artistic value.
My first impression of Rachel McAdams is that she was miscast but I accepted her more as the film goes on. Noomi Rapace is fine. I assume both women were intentionally directed to act in a somewhat peculiar manner by De Palma. It bears pointing out for those misled by the poster, trailer, or press for this film that it's not really the sexy lesbian thriller it's made out to be. That stuff only plays a peripheral role in the film and you never get any particularly sexy scenes between McAdams and Rapace as one might be led to believe by the marketing.
Still, it's an entertaining enough movie. Not De Palma's best but far better than his last two films.
4 of 7 people found this review helpful.
Was this review helpful to you?