A musical drawing room farce set in Paris in October, 1925. Gilberte, in middle-age, flirts with men but loves her husband Georges, wishing he were more demonstrative. He's negotiating a ... See full summary »
Based on a novel by Jean-Claude Izzo, this melancholic movie focuses on three sailors being the last remaining crew members on their ship which is aground in the harbor of Marseille. After ... See full summary »
A young woman who is in love with a married doctor becomes dangerous when her attempts to persuade him to leave his wife are unsuccessful. However, when things are seen from his point of view, the real situation becomes clear.
Samuel Le Bihan,
Michèle, 20 years old, feels terrible after having broken up with her boy-friend. She meets Francois, who's a veterinarian and jewish. Michèle decides to convert into Judaism because she ... See full summary »
Val is 23 years old and full of dreams. She travels to New York to become an actress. She is lonely in a strange country, in a strange city, with little money and no friends. In her path, ... See full summary »
Sisters Léa and Aurélie, 19 and 13, live in Paris with their mom. They miss their dad, who drowned. Their mom has a new man, Vincent, a cop. The girls are angry, stealing wallets from ... See full summary »
Oriane and Hadrian's couple is going through a crisis. Determined to save their marriage, Oriane visits a Gypsy fortune teller who foresees a dark future. But Oriane won't hear of anything ... See full summary »
This is a much better film than has been generally recognized. Props to Tatou for choosing this project. It is not a romantic comedy, though there are many occasions for laughter. It is about love and loss, grief and healing. Maybe even more, it is about our culture, whose pervasive artificiality and interpersonal politics need to make real things seem weird and out of place. There is a Bergmanesque (eg: 'Swedish') subsurface to this light-footed film. As you watch it, consider the fates Tatou's character avoids by rejecting each invitation to 'normalcy'...
The film is beautifully shot, colored, and lit. The script is marvelously economical: every line is necessary. Finally, the music is ideal for allowing the intentions of the filmmaker to sink in.
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