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La délicatesse (2011) 6.3
Ratings:
6.3/10 from 5,052 users
Metascore: 53/100
Reviews: 17 user | 107 critic | 21 from Metacritic.com A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker. |
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Title: La délicatesse (2011)
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Cast
| Cast overview, first billed only: | |||
| Audrey Tautou | ... |
Nathalie Kerr
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| François Damiens | ... |
Markus Lundl
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| Bruno Todeschini | ... |
Charles
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Mélanie Bernier | ... |
Chloé, la secrétaire de Nathalie
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Joséphine de Meaux | ... |
Sophie
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| Pio Marmaï | ... |
François
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Monique Chaumette | ... |
Madeleine, la grand-mère
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Marc Citti | ... |
Pierre
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Alexandre Pavloff | ... |
Benoît
(as Alexandre Pavloff de la Comédie Française)
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Vittoria Scognamiglio | ... |
La mère de François
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Olivier Cruveiller | ... |
Le père de François
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Ariane Ascaride | ... |
La mère de Nathalie
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Christophe Malavoy | ... |
Le père de Nathalie
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| Audrey Fleurot | ... |
Ingrid, la secrétaire de Charles
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Bénédicte Ernoult | ... |
L'ouvreuse du théâtre
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Storyline
A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.
Taglines:
A new romantic comedy about Love, Fate and other Delicacies.Parents Guide:
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Details
Country:
FranceRelease Date:
21 December 2011 (France) See more »Also Known As:
La delicadeza See more »Company Credits
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This is a much better film than has been generally recognized. Props to Tatou for choosing this project. It is not a romantic comedy, though there are many occasions for laughter. It is about love and loss, grief and healing. Maybe even more, it is about our culture, whose pervasive artificiality and interpersonal politics need to make real things seem weird and out of place. There is a Bergmanesque (eg: 'Swedish') subsurface to this light-footed film. As you watch it, consider the fates Tatou's character avoids by rejecting each invitation to 'normalcy'...
The film is beautifully shot, colored, and lit. The script is marvelously economical: every line is necessary. Finally, the music is ideal for allowing the intentions of the filmmaker to sink in.