The life and times of Cazuza, Brazilian singer/poet/enfant terrible, from his start with rock group "Barão Vermelho", to his death from Aids, in 1990, showing his career, love affairs, and involvement with drugs.
Daniel de Oliveira,
In the '40s, three brothers decide to live a great adventure and enlisting in the Roncador-Xingu Expedition, which has a mission to tame the Central Brazil. The Villas Boas brothers: ... See full summary »
In São Paulo, the scheme of the corrupt DA Júlia and her mate, the lawyer Henrique with the gangster Maicom is discovered and sent to the Internal Affairs. Maicom is responsible for ... See full summary »
Fernando Alves Pinto,
A pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Luiz Fernando Carvalho
Juliana Carneiro da Cunha
Short stories revolving around a bar and a hotel in Recife, unveil a mosaic of exotic characters living in the Brazilian underground: a butcher married with an evangelical woman, a ... See full summary »
Salvador, Bahia - Brazil, alive with the charm of the 1950s, A gang of street kids known as "Capitães da Areia" (Captains of the Sands) are hunted like common criminals. As we draw closer, we see that they are just children, almost a hundred of them, completely abandoned. But they won't be children for long: by the end of this odyssey, many will have become men. A year in the lives of these boys, in which they have incredible adventures, the most wonderful dreams, visit hell, discover sex, death, freedom! Written by
Based on the novel by Jorge Amado
I'm not going to say it's an awful terrible film, because it isn't. It lacks the magic of the book, the spirit, the joy and innocence of what being a child is, the beautifully sad way in which the children of the book lived, that Amado described so very skilfully. The film is terribly fragmented, doesn't show us the soul of most characters, their backgrounds, their stories. It doesn't convey the feeling that the capitães de areia are a very tight family. It decides to focus on some parts of the book, and leave others aside completely, and in my opinion, some of the choices are trivial at best. The actors are amateurish, and the dialogue is always done in a very theatrical fake way. Some of the shots, plans and camera tricks are unnecessary and don't add anything to the film. It gives too much importance to Brazilian folklore (candomblé, capoeira and such) while it should focus on much more important aspects. I understand it is hard to convey the power and feeling of such an intense book, but i believe it is possible. That being said, I did enjoy the photography, the beautiful shots of the scenery, and the way that some scenes were explored. It was an effort, but it falls much much much short of the book.
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