Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Roger uses his son Igor to ruthlessly traffic and exploit illegal aliens. When one of the aliens is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
Liège, Belgium. Sandra is a factory worker who discovers that her workmates have opted for a EUR1,000 bonus in exchange for her dismissal. She has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.
At about 11, the stubborn and impulsive Cyril seems on his way to delinquency: he has no mother, his father wants a new life without him, so he's in a foster institution. He searches for his father, wanting him and his bike. Through the intersession of Samantha, a hairdresser Cyril happens upon, he gets his bike back, and she offers to take him into her home on weekends. He remains aloof from her and gets involved with a young crook. Is Cyril intent on driving Samantha away - and what then? Written by
Based on the idea of a film about "a woman who helps a boy emerge from the violence that holds him prisoner" by Dardenne Brothers. See more »
When the hairdresser is leaving the orphanage after she returned Cyrill's bike the car she iss driving makes the sound of Diesel engine, but in the next scene with the same car the car sounds like it has a petrol engine. See more »
without any introductions, the film gets down to the story. a kid on the phone is all but accepting to hear that the number he dialed is out of service. a precisely fluid social humanist film about a 11 year old kid and his relentless quests to go all the way to, against everybody's wishes, find a parent that wants nothing to do with him. basing his stance on the argument that his father would never leave without leaving him his bike.
once retrieved, the bike serves as the catalyst that allows the kid to advance, more in a figurative sense; we see him fight and bite for it. the last relic of a family life to him.
the kid in red is a lot of things: determined with rage and astounding obstinacy, always on the move, has nothing to lose so he goes to the limits. at one point, he nervously plays with a faucet as to not lose face in front of such injustice. but in his misfortune, Samantha, an adult portraying a kind stranger and genuine goodness, generosity and warmth, takes care of him. being emotionally distant, the kid rejects her at first and goes on exploring until he finally finds himself in his most despairing moment.. the kid remains a very interesting character to me, he is easy to deceive, capable of violence, but only because he is affectionate at heart and more honest than the people he deals with. which resonates with me as the film is able to kindle bits of memories of the audience.
10 of 17 people found this review helpful.
Was this review helpful to you?