Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar. They need money, and a permanent resident status. Claudy is a junkie - he needs... See full summary »
Igor and his father, Roger, are making a decent living renting apartments to illegal immigrants and sometimes working them illegally (among other scams). But when the building inspector ... See full summary »
Sandra, a young Belgian mother, discovers that her workmates have opted for a significant pay bonus, in exchange for her dismissal. She has only one weekend to convince her colleagues to give up their bonuses so that she can keep her job.
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
At about 11, the stubborn and impulsive Cyril seems on his way to delinquency: he has no mother, his father wants a new life without him, so he's in a foster institution. He searches for his father, wanting him and his bike. Through the intersession of Samantha, a hairdresser Cyril happens upon, he gets his bike back, and she offers to take him into her home on weekends. He remains aloof from her and gets involved with a young crook. Is Cyril intent on driving Samantha away - and what then? Written by
The script was structured with a fairytale in mind, where the boy would lose his illusions and Samantha would appear as a fairy-like figure. See more »
When the hairdresser is leaving the orphanage after she returned Cyrill's bike the car she iss driving makes the sound of Diesel engine, but in the next scene with the same car the car sounds like it has a petrol engine. See more »
12-year-old Cyril lives in an institute for kids, and is adopted by a woman during the weekends. He wishes to see his father, who however is deliberately avoiding him, overly stressed about his financial problems. Soon after this disappointing realization, Cyril meets a bad-reputed elder kid who persuades him to plan a little robbery. The bright cinematography and the vivacious protagonist (wonderfully played by Thomas Moret) contrast the melodrama of this touching story; a coming-of-age film that can be both tender and sharp, sad and upbeat. Everything is simply narrated, no secrets are hidden or implied: the Dardenne Brothers' simplistic (almost minimalistic) directing style however encloses the narrative structure with a near-perfect circularity, swiping away any kind of ambiguity.
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