A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
Musa, who works as a bookkeeper in the customs office, believes in the emptiness and absurdity of life. He doesn't struggle to change his life; he lets himself flow along with events ... See full summary »
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan's previous movie, Kasaba. It is about the movie director, Muzaffer, going back to ... See full summary »
In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected. Written by
Kenneth Chisholm (email@example.com)
I think this is the best movie of 2011 so far. A very different, but brilliantly conceived three part police procedural that is really a character study of two men and how they each deal with the past. In many ways, I had a similar experience here to what I have when I read a really good novel. The characters are rich and complex, often funny, and thoroughly believable. Nothing is crammed down the audience's throat, yet there is so much detail and nuance that it becomes easy to see the two men for the basically good, complex people they are. This is a movie that respects the audience's intelligence. It is also a movie that is easily among the best shot and edited of the year. In fact, it is hard to think of a single thing that I would suggest to improve the film. I have seen other Ceylan films, but nothing of his has ever had the depth, nuance and humanity of this one.
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