A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce.... See full summary »
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan's previous movie, Kasaba. It is about the movie director, Muzaffer, going back to ... See full summary »
In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The movie premiered at the 2011 Cannes Film Festival where it was a co-winner of the Grand Prix. See more »
While Arab and the doctor chat during the investigation, doctor sits in the front seat of the car (with the car door open, facing the field). The next scene, we see the doctor from the back, facing the field while standing. After that, while Arab is eating apple, we see doctor sitting in the front seat again. As they keep talking, it cuts to wide angle shot where we see the doctor standing again. See more »
This film won the Grand Prix in Cannes, and it was deserved. A team goes into the countryside to find the body of a murder victim. The team includes the two men accused of the murder,one of whom has confessed and says he wills show them where they buried the body, the police chief, prosecutor, doctor, diggers, and guards. As the night drags on into the next day and the body is not found, the men grow more and more tired. Much of the film is beautifully shot in the dark or semi-dark, lit only by the headlights of the cars or a lamp in the village where they stop to rest. The filming is slow, showing the beautiful countryside and vignettes that wonderfully shed light on the different characters. What seems to be a simple task grows more and more complex; everything in the movie turns out to be more complicated than it first seems. Everyone seems to be guilty of something, so the film becomes a question not only of will the body be found, but who is guilty of what?
One could say that the film is too slow, but just as the team grows more and more tired, so arewe as the viewers, participating in the fatigue of the team, drawn into the feelings of the characters. Women and children are present only as lovely cameos in the film, but are behind almost everything. The actors are all superb, and it was amazing to me that Ceylan could show such depth and breadth of character and emotion and drama with only a few lines of dialog and amazing closeups of the faces.
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