Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple's bond of love is severely tested.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
Mahmut, a 40 year old independent photographer, is a "village boy made good" at least professionally in the big city - Istanbul in this case. After his wife leaves him, he falls into an ... See full summary »
A dowdy university instructor Isa is an inattentive husband to his younger, TV-business wife Bahar. Self-absorbed and selfish, Isa only communicates in the most rudimentary way, while she, similarly, detaches into crying jags and juvenile behavior.
In the rural area around the Anatolian town of Keskin, the local prosecutor, police commissar, and doctor lead a search for a victim of a murder to whom a suspect named Kenan and his mentally challenged brother confessed. However, the search is proving more difficult than expected as Kenan is fuzzy as to the body's exact location. As the group continues looking, its members can't help but chat among themselves about both trivia and their deepest concerns in an investigation that is proving more trying than any of them expected. Written by
Kenneth Chisholm (firstname.lastname@example.org)
I had not followed the schedule of film festival, but when mention of screening of Turkish movie came in newspaper, I got interested. After knowing that it is directed by Nuri Bilge Ceylan (Three Monkeys fame) I surely got excited and checked whether it was to be re-screened? It was. Thus I went to see it.
The Director Ceylan had impressed me thoroughly with his earlier movie Three Monkeys, by its unique narrative structure, still camera, minimal dialogues and picture perfect images. I was not able to sit through his earlier film Climates (but I wish to see it again now!).
The film is about a team of 10 state officials - mainly Doctor Cemal (Muhammet Uzuner), Commissioner Naci (Yilmaz Erdogan), Prosecutor Nusret (Taner Birsel) and their entourage of driver, police, lieutenant, diggers plus 2 criminals suspects (Firat Tanis and other) who set out in the evening to search of a burial place of dead body of a person killed by the suspects, in rural landscape of Anatolia. The team travel unsuccessfully from one location to another, taking rest in the night at a remote village where they are served dinner by the Mukhtar (village head). Morning they re-start their search and finally find the dead body, and take it to the town where a post-mortem of the dead body is done.
There are a few sub-plots that unfold in layers of Prosecutor's story about (probably) his wife's suicide; Commissioner's story about his sick son & his experience about crime where he says In 20 years invariably he has come across a woman's role as a root cause in all crimes he has investigated (anti-feminist!?; the suspect story about his son; the Doctor's story about his divorce; Mukhtar's story about his village problems and about his daughter (Cansu Demirci); the dead person's wife's and son story.
The movie was mentioned many times over that it is tediously (painfully) slow which I did not find because the movie allows audience to get involved with the characters. The narrative is not straight. It requires audience's attention and involvement.
A few things about the movie it is a murder mystery, where the hint of mystery is unfolded in the last 5 minutes. I would not reveal it, but as a hint - from the beginning closely watch the Doctor's character who unravels the mystery during post-mortem. Brilliant! A few scenes that require mention car headlights in long shot beaming amongst the Anatolia hillock, the journey of a freshly fallen apple (from the tree) down the hills to the stream, the magical scene of Mukhtar's daughter serving tea, (WOW!) and the last post-mortem scene. There are also various streams of dialogues that are very intriguing to render the characters.
Ceylan has come to age with this cinema. He has his own style of cinematic narrative, that many on commercial diet may not digest; but he has this thorough knowledge of cinema as a medium. Read Ceylan to understand how he has evolved as a director: "The placement of how high a camera should be depends on the straight lines one sees on the screen." Thespianique! Ceylan started with a team of 1 person in his first film (himself) to progress a team of 14 technicians in this film. No need to say more. Acting of all cast is brilliant! It is Ceylan show all the way! Watch it.
(8 out of 10)
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