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The Devil's Cauldron, a city where depravity and violence has forged a society in which only the lethal and callous can survive, two young men who possess the intellect and ferocity to ... See full summary »
Kazu Patrick Tang,
Simon is a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simons exact physical double and his opposite - confident, charismatic and good with women. To Simons horror, James slowly starts taking over his life. Written by
In the "Replicator court Marshall" extended scene, the central member of the court Marshall board is played by Laurence Fox, Son of James Fox who plays the Colonel. See more »
I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.
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Great soundtrack. That's an impression. Superb acting given the nature of both subject and a slippery theme. Another impression. Difficult material by writers such as Dostoyevsky are deeply profound, dark reading and, as such, are a challenge to adapt to screen. A reference to Brazil is appropriate at a glance given the setting and camera work. Emulation is not flattery, but observance. Direction, camera values are not nuance, but intentional. That this film was not commercially successful points out it's import. Ironic.
That said, multiple viewings may bring even more appreciation of the story and how it is purveyed. Don't we all have someone inside that wishes to break the mold within which society cast us? Cut the strings, evolve back? Kudos to cast and crew as this theme is hard to evoke on film in a manner that engages both of us. Me and me.
Not for every viewer, but certainly for those that can see inside and out with doubt. Bravo.
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