The road to and success on Broadway of the musical is not easy. And winning the coveted Tony as Best Musical is even more difficult, that which is the ultimate goal. Such trials and tribulations are shown for a handful of shows, their creative teams and their performers. There is competition amongst the performers for roles, competition amongst the shows not only for box office but also limited investor dollars and that final Tony prize, and competition amongst those ultimately hired in the cast and crew for what they want to see happen in the show, both for the good of the show and their own personal benefit. And sometimes, personal life gets in the way of these professional goals. These problems not only happen for those new or working their ways up the ranks, such as performers Karen Cartwright and Ivy Lynn, and the writing team of Jimmy Collins and Kyle Bishop, but also seasoned veterans, such as the writing team of Tom Levitt and Julia Houston, womanizing director Derek Wills, ... Written by
Follow your dream. Watch your back.
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Did You Know?
There have been a few brief references to a previous (real-life) attempt at staging a musical about Marilyn Monroe. This was the massive flop "Marilyn: An American Fable," which ran at the Minskoff Theatre for only 34 previews and 17 performances in 1983. The show had a libretto by Patricia Michaels and music and lyrics by Jeanne Napoli, Doug Frank, Gary Portnoy, Beth Lawrence, and Norman Thalheimer. It was directed and choreographed by Kenny Ortega, who went on to choreograph the movie Dirty Dancing, among other projects. The cast included Alyson Reed as Norma Jean/Marilyn Monroe; Scott Bakula as Joe DiMaggio; Kristi Coombs as Young Norma Jean; and Will Gerard as Arthur Miller. See more
Referenced in Now You See Me
Let's Be Bad
Written by Marc Shaiman
and Scott Wittman
Performed by Megan Hilty See more