7.4/10
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Scenes from the Suburbs (2011)

A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.

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3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Kyle
Paul Pluymen ...
Winter
...
Zoe
Ashlin Williamson ...
Paulo
Zeke Jarmon ...
Zeke
...
Crossvine Cop 1, Soldier 2
Sarah Neufeld ...
Crossvine Cop 2
Sienna Blaw ...
Sienna
Richard Reed Parry ...
Kyle's boss
Daidy Hurst ...
Baby
Zoe Honeybloom ...
Baby
Shannon Honeybloom ...
Vicky
...
Border Cop, Soldier 3 (as William Buchanan)
...
Terrance
Régine Chassagne ...
Suburban mom / Mrs. Mochapaldi
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Storyline

Directed by Spike Jonze, Scenes from the Suburbs is a half-hour short film inspired by Arcade Fire's Grammy(r) award-winning album The Suburbs. Hailed as "absolutely f--king gorgeous" by INDIEWIRE at its U.S. premiere at 2011's SXSW festival, this collaborative effort between Spike and the band is a part of Arcade Fire's The Suburbs Deluxe release. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Short | Drama | Music

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Details

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Release Date:

March 2011 (USA)  »

Also Known As:

Сцены из пригорода  »

Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

When Winter quotes about the 'kiss rule' given by 'Will Smith' in Hitch he says that the man must approach 60% towards the woman, then she kisses him back in the other 40% of the way. But Will says in the 2005 film that a guy must go 90% of the way with the girl covering the remaining 10%. See more »

Quotes

Crossvine Cop, Soldier: What are you kids up to?
Kyle: Nothing. Just a little up dog.
Crossvine Cop, Soldier: What's up dog?
Kyle: Nothing much. You?
[laughs]
Crossvine Cop, Soldier: You're under arrest. Take it easy.
See more »

Connections

References Hitch (2005) See more »

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User Reviews

 
a tug on the heart and questions for the head
13 April 2012 | by (Kansas City, Missouri) – See all my reviews

Before I watched this, I watched the complementary music video to "The Suburbs" (the first track on the album of the same name). I recommend watching both.

As someone who is questioning society's ideas of what it means to grow up, this story is a touching one. At first glance, to the uninitiated, it could come off like just another teen drama love triangle. That would be a tragic misinterpretation of this fine, authentic piece of art, and it would fall short of Arcade Fire's sensibilities and desire to deal with what's really going on with "America" beneath all the "issues." (At least, that's my interpretation of most of their work so far.) For, as opposed to some Disney story that pits friends against each other for a girlfriend/boyfriend, this isn't about that kind of relationship. In fact, it has nothing to do with the female character--it's about a friendship between two guys. A friendship torn apart by change (not good change) and fear as one of them pulls away from the group as accepts the deeper disease behind what the authorities in his life are telling him, and portraying.

The unique symbolism of how our "communities" have become is a minimally-important background for a youthfully-, authentically-acted short drama between childhood best friends.

I don't want to give the plot away, so I'll just end this by saying I now understand the album lyrics "With my old friends I can remember when / You cut your hair, I never saw you again." The questions it leaves us with are deeply important in this nation of detached souls.

Should we look a certain way to grow up? Should we surrender to the world's system to grow up? *Should* we grow up?


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