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Greetings from Tim Buckley (2012)

Not Rated | | Drama | 5 September 2013 (New Zealand)
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A chronicle of the days leading up to Jeff Buckley's performance at his father's tribute concert in 1991.

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Cast

Credited cast:
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Lee Underwood
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Carol
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Hal Wilner
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Jane Goldstein
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Tim Buckley
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Gary Lucas
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Paula
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Linda
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Hells Angel
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Janine Nichols
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Carter
Atilla Salih Yücer ...
Hotel Doorman
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Concert Goer
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Storyline

Greetings from Tim Buckley follows the story of the days leading up to Jeff Buckley's eminent 1991 performance at his father's tribute concert in St. Ann's Church. Through a romance with a young woman working at the concert, he learns to embrace all of his feelings toward the father who abandoned him - longing, anger, forgiveness, and love. Culminating a cathartic performance of his father's most famous songs, Jeff's debut stuns the audience and launches his career as one of the greatest young musicians of his time. Written by Production Weekly

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The true story of the rise of Jeff Buckley.

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Drama

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Not Rated | See all certifications »
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Release Date:

5 September 2013 (New Zealand)  »

Also Known As:

Saudações de Tim Buckley  »

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2.35 : 1
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Did You Know?

Trivia

Jann Klose, who covers Tim Buckley/Larry Beckett's SONG TO THE SIREN on his album, MOSAIC (People Records), also sings Tim's "Song For Janie," "Pleasant Street" and "Once I Was" in the movie. See more »

Goofs

On the train, Jeff tells Allie that when he was eight years old, he met his father Tim Buckley at the Troubadour [in Los Angeles]. The actual meeting took place in the Golden Bear in Huntington Beach. See more »

Connections

Featured in At the Movies: Episode #10.23 (2013) See more »

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User Reviews

 
Good acting, great music and nostalgia to boot.
23 November 2014 | by See all my reviews

I was impressed by Penn Badgley's portrayal of Buckley in this 'snapshot in time' genre of movie. It was not, as other reviewers seem to miss, a biography of either Jeff or his father Tim Buckley. Rather, the movie focuses on Jeff's reluctant participation and eventual musical and personal redemption via a tribute concert to his father that took place in NYC in 1991. The action takes place over just a few days prior and leading up to the concert. I might add that the St. Ann band backing the various tribute musicians was tremendous. Its my impression that what you hear of them on film was live...or very well near it. I did notice some inconsistent editing and out of sync instrumentals, but this is not the first movie coming up short in this area.

Back to Penn Badgley...his musical takes were live and done with no lip syncing. His guitar playing was real...when is the last time you've seen that in a movie? His character was, for me, as honest an interpretation of a tragic character as I've seen in a very long time. The movie takes place in a period prior to Jeff's musical self discovery, a few years before his first album. He comes across as a idiosyncratic, often annoyingly self centered young person still searching for his voice. I didn't actually like the character portrayed in the movie and suspect I wouldn't care much for Jeff Buckley in person, (if Penn's portrayal is accurate) however, this is certainly not the point of the movie.

The pace of the film, which others criticize, worked for me...and, in some respects, had the feel of a documentary rather than being scripted.

I was a huge fan of Tim Buckley's first few albums...after Lorca, I moved on. Goodbye/Hello is one of the hallmark albums of the 60's: Happy Sad was a haunting art piece blending transitional jazz with folk. I didn't know Jeff's music nearly as well...so, I must confess that his portrayal is personally prototypical. Imogen Poots is lovely and steals every scene she is in...I thought her acting was fresh and unassuming and did a credible New York accent despite being British. All in all, I liked the film on many levels. -Jim


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