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Vincent is an ex-soldier with PTSD who is hired to protect the wife and child of a wealthy Lebanese businessman while he's out of town. Despite the apparent tranquility in Maryland, Vincent perceives an external threat.
Set against the background of a brutal crime gang in Brussels, a tragic love story between Gigi (Matthias Schoenaerts), a high-flying gangster, and Bibi (Adèle Exarchopoulos), a young racing driver with very upper-class roots.
Michaël R. Roskam
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Stuck in a dark limbo between life and death, a deceased soldier Nathan Rijckx collects shadows of dying men and women to buy back his own second chance at life. Obsessed by a girl he met ... See full summary »
Tom Van Avermaet
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Bob Saginowski finds himself at the center of a robbery gone awry and entwined in an investigation that digs deep into the neighborhood's past where friends, families, and foes all work together to make a living - no matter the cost.
Sint-Truiden, Belgium. The young Limburg cattle farmer Jacky Vanmarsenille (Matthias Schoenaerts), is approached by an unscrupulous veterinarian to make a shady deal with a notorious West-Flemish beef trader. But the assassination of a federal policeman, and an unexpected confrontation with a mysterious secret from Jacky's past, set in motion a chain of events with far-reaching consequences. BULLHEAD is an exciting tragedy about fate, lost innocence and friendship, about crime and punishment, but also about conflicting desires and the irreversibility of a man's destiny. Written by
Bruno's vegetative state is never explained because Michael Roskam simply never thought of one. After the fact, Roskam offered several theories including disease, a failed suicide attempt, or being beaten by Jacky. See more »
When Diederik Maes (Jeroen Perceval) is sitting on the toilet, he calls detective Eva Forrestier (Barbara Sarafian). While leaving a message on her voicemail, he farts in the middle of the message. However, when Eva is listening to the voicemail message, the fart is already heard in the beginning of the message. See more »
OK. OK. Piss off, partner. I'll screw yours too then, but you're paying.
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I found this film remarkable for its ability to stir feelings of sympathy for a kind of character who seems utterly brutish and unredeemable. Jacky is a brute, the kind of man who all too often resorts to abominable acts of violence when he's aroused. And yet, thanks to the portrait of Jacky drawn by the director and by the actor, we cannot help but feel great sorrow for him. Yes, Jacky does terrible, terrible things over the course of the film, but by the end I was sobbing for him. Maybe it's simply "tout comprendre, c'est tout pardonner", but whatever that emotion was I felt at the film's end it was something that revealed to me (and one would hope to all who see this film) a terrifying and redemptive bond of common humanity.
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