Directed by | |||
| Steve Barron | |||
Writing credits | ||
| Stewart Harcourt | (screenplay) | |
| Robert Louis Stevenson | novel | |
Produced by | |||
| Laurie Borg | .... | producer | |
| Anne Brogan | .... | executive producer | |
| Ruth Coady | .... | associate producer | |
| Mark Grenside | .... | executive producer | |
| Robert Halmi Sr. | .... | executive producer | |
| Ann Harrison-Baxter | .... | executive producer | |
| Susan Holmes | .... | production executive | |
| Des Martin | .... | line producer | |
| Alan Moloney | .... | executive producer | |
| Alan Moloney | .... | producer | |
| Melanie Stokes | .... | executive producer | |
Original Music by | |||
| Antony Genn | (music composer) | ||
| Martin Slattery | (music composer) | ||
Cinematography by | |||
| Ulf Brantås | (director of photography) (as Ulf Brantas) | ||
Film Editing by | |||
| Alex Mackie | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Rob Harris | |||
Art Direction by | |||
| Jo Riddell | (supervising art director) | ||
Set Decoration by | |||
| Monica Monserrate | |||
Costume Design by | |||
| Lorna Marie Mugan | |||
Makeup Department | |||
| Muriel Bell | .... | key hair stylist | |
| Dominique Borrel | .... | key make up artist | |
| Deirdre Fitzgerald | .... | makeup artist | |
| Jacqueline Fowler | .... | makeup designer | |
| Anna Gronerus | .... | hair assistant | |
| Paul Hyett | .... | prosthetics | |
| Nadia Macari | .... | daily makeup artist | |
| Lorraine McCrann | .... | additional make up artist | |
| Tina Phelan | .... | makeup artist | |
Production Management | |||
| Ellen Gordon | .... | unit production manager | |
| Lucie Graves | .... | post-production supervisor | |
| Georgina O'Connor | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Tony Aherne | .... | first assistant director | |
| Noel Corbally | .... | trainee assistant director | |
| Sandra Corbally | .... | third assistant director | |
| John Haugh | .... | trainee assistant director | |
| Eimear Kelly | .... | trainee assistant director | |
| Diego Vazquez Lozano | .... | second unit director | |
| Jose Gilberto Molinari-Rosaly | .... | first assistant director | |
| Niall Owens | .... | trainee assistant director | |
| Jonathan Quinlan | .... | assistant director (as Johnathon Quinlan) | |
| Statten Roeg | .... | second unit director | |
| Juan Esteban Suárez | .... | second assistant director | |
| Anne Warter | .... | second assistant director | |
Art Department | |||
| Paul Alfaro | .... | greensman | |
| Eddie Antunez | .... | set dresser | |
| Sally Ashton | .... | art department runner | |
| Jon Beer | .... | assistant art director | |
| Gladys Bustos | .... | property master | |
| Stephen Daly | .... | stand-by art director | |
| Darien Delgado | .... | construction foreman | |
| Cos Egan | .... | set dresser | |
| Jorge Fernandez | .... | props | |
| Alan Finglas | .... | carpenter | |
| Warren Flanagan | .... | concept art: Rhi Entertainment | |
| Tuireann Herriott | .... | prop buyer | |
| Juan Guallini Indij | .... | head greensman | |
| Ronan Kennedy | .... | stand-by prop | |
| Francisco 'Panchi' López-Franco | .... | set dresser | |
| Nicky MacManus | .... | construction manager | |
| Luis Maldonado | .... | key on-set dresser | |
| Carmen Marie Colon Mejia | .... | props production assistant | |
| Sorely Muentes | .... | art department coordinator | |
| Philip Murphy | .... | props | |
| Wilhem Perez | .... | scenic artist | |
| Edwin Ryan | .... | sculptor | |
| Jimmy Santos | .... | set dresser | |
Sound Department | |||
| Antonio Betancourt | .... | sound mixer | |
| Christian Byrne | .... | second boom operator | |
| Ray Cross | .... | sound recordist | |
| Naomi Dandridge | .... | adr mixer | |
| Robert Edwards | .... | adr mixer | |
| Andrew Felton | .... | boom operator | |
| Nick Foley | .... | adr mixer | |
| Richard Fordham | .... | dialogue editor | |
| Simon Gershon | .... | supervising sound editor | |
| Luis Antonio Landrau | .... | boom operator | |
| Ben Norrington | .... | dialogue editor | |
| Emmet O'Donnell | .... | adr recordist | |
| Jonathan Smith | .... | sound effects editor | |
| Danton Tanimura | .... | sound editor | |
| Sacha Walker | .... | sound effects editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Robert Caban | .... | special effects coordinator | |
| Conor Coughlan | .... | special effects supervisor | |
| Chris Cullum | .... | special effects foreman | |
| David Cullum | .... | special effects technician | |
| Seamus O'Neill | .... | special effects assistant | |
| Stephen Sutton | .... | special effects technician | |
Visual Effects by | |||
| Mariana Acuña Acosta | .... | digital compositor | |
| Dominic Bunjevac | .... | visual effects producer | |
| Carlos Diego | .... | visual effects artist | |
| Diego Vazquez Lozano | .... | visual effects supervisor | |
| Rajesh Patel | .... | digital artist | |
| Lucita Peek | .... | visual effects artist | |
| John Perrigo | .... | visual effects artist | |
Stunts | |||
| Drew Leary | .... | assistant stunt coordinator | |
| Donal O'Farrell | .... | stunt coordinator | |
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ciarán Barry | .... | camera operator | |
| Sean Cahill | .... | rigging electrician | |
| Paul Deane | .... | digital image technician | |
| J.L. Del Toro | .... | camera pa | |
| Brendan Dempsey | .... | electrician | |
| Richie Donnelly | .... | first assistant camera | |
| Jose Andre Figueroa | .... | grip | |
| Simon Keenan | .... | camera trainee | |
| Conor Lynch | .... | video assist operator | |
| Guillermo Gil Martin | .... | camera trainee | |
| Michael McDermott | .... | gaffer | |
| Philip McKeon | .... | assistant camera | |
| Abner Medina | .... | first assistant camera | |
| Alfredo Melendez | .... | data management | |
| Raphy Molinary | .... | aerial photography | |
| Raphy Molinary | .... | camera operator | |
| Raphy Molinary | .... | director of photography: "a" camera, second unit | |
| Raphy Molinary | .... | underwater photography | |
| Felix Nunez | .... | best boy grip | |
| Angel Pastrana | .... | key grip | |
| Patrick Redmond | .... | still photographer | |
| Francisco Román | .... | still photographer | |
| Declan Ryan | .... | balloon light technician | |
| Su-Jeng Sang | .... | data management | |
| Carlos Zayas | .... | camera operator: "b" camera | |
Casting Department | |||
| Patricia Alonso | .... | extras casting | |
| Jane Ripley | .... | additional casting | |
Costume and Wardrobe Department | |||
| Vanessa Breen | .... | wardrobe assistant | |
| Isabel Gandia | .... | costume assistant | |
| Ali Lammari | .... | key set costumer | |
| Rhona McGuirke | .... | costume supervisor | |
| Karen Rigg | .... | set costumer | |
| Tara Roughneen | .... | wardrobe trainee | |
| Magdalen Rubalcava | .... | costume assistant | |
| Gladyris Silva | .... | wardrobe assistant | |
| Cassandra Steyn-Taylor | .... | set costumer | |
| Sarah Touaibi | .... | costume assistant | |
| Loida Viera | .... | set costumer | |
| Zuzana Zilkova | .... | costume maker | |
Editorial Department | |||
| Sarah Caraher | .... | facilities support | |
| Michelle Cort | .... | digital intermediate technician | |
| Carl Cullen | .... | second assistant avid editor | |
| Anya Dillon | .... | assistant editor | |
| Tim Drewett | .... | digital intermediate technician | |
| François Kamffer | .... | digital intermediate technician | |
| Stephen Kidney | .... | assistant editor | |
| Des Murray | .... | on-line editor | |
| Robbie O'Farrell | .... | on-line editor | |
| Steve Owen | .... | data transfer | |
| Jateen Patel | .... | digital intermediate technician | |
| Gareth Spensley | .... | colorist | |
| Katelin Westwood | .... | data transfer | |
Music Department | |||
| Hilary Skewes | .... | musician contractor | |
Transportation Department | |||
| Paul Cullen | .... | transportation captain | |
| Raul Delgado | .... | driver: set dec | |
| Luis A. Jurado | .... | transportation captain | |
| Josiuan Rojas | .... | transportation coordinator | |
Other crew | |||
| Charles Bodycomb | .... | set armorer | |
| Arran Brownlee | .... | title designer | |
| Corran Brownlee | .... | title designer | |
| Rocío García Bruckman | .... | production secretary | |
| Noel Corbally | .... | production assistant | |
| María de Orduña | .... | assistant location manager | |
| Rose Garnett | .... | script editor | |
| Sonia González Riera | .... | set production assistant | |
| Will Gore | .... | location assistant | |
| Vicki Kisner | .... | assistant to alan moloney | |
| Stephen Lippross | .... | first assistant accountant | |
| Daniel F. Malone | .... | marine coordinator | |
| Mariant Medina | .... | set production assistant | |
| Barry Newman | .... | assistant location manager | |
| Tanoa Parks | .... | production accountant | |
| John Patteson | .... | assistant: armorer | |
| Jesús A. Romero | .... | production assistant | |
| Raysa Sanchez | .... | production assistant | |
| Coraly Santaliz | .... | script supervisor | |
| Eli Shallcross | .... | set intern | |
| Debbie-Lynn Siegel | .... | payroll accountant | |
| Karen S. Uphoff | .... | location manager | |
| Eric Vega | .... | production coordinator | |
| Nacha Zurinaga | .... | assistant production coordinator | |
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| Defining Moment | Murmuration | The Count of Monte Cristo | The Sheltering Desert | Lassie |
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I'd like to have seen a faithful adaptation but it's still engaging. Found the background music helped do what it was supposed too without being overly intrusive which is always nice and far too rare an occurrence these days. Loved the accurate use of an actual sea shanty (they were work songs and to see them used as such in drama is wonderful). Also nice to see people with a range of accents as would have been the case rather than just the stereotypical bristol accents.
To address some accusations of historical inaccuracy. 1)pirates with Mohawks: this set in the mid 1700's the Mohawk as a tribe would have have a reputation as a people to be reckoned with that would likely have spread to pirates familiar with the America's I can well understand a pirate adopting the hairstyle of a of a nation of fierce warriors. 2)Black people in position's of authority: Sailor's especially outside the navy were much more egalitarian being largely concerned with skill rather than colour or social class (a poor man if skillful might not be able to buy a commission straight off but through saving up prize money and wages may be able to manage it after a few years). Yes there probably would have racism but, particularly on pirate ships, prizes were shared reasonably equally in theory so it would be entirely possible for a black man to become first mate. Equally black sailors would likely not have been as uncommon as all that as it would make sense for an escaped slave to attempt to take to the sea as a way of avoiding pursuit and a good way for a freed slave to make a living.