Majime, an eccentric man in publishing company, who has unique ability of words, joins the team that will compile a new dictionary, 'The Great Passage.' In the eclectic team, he becomes ... See full summary »
20 years ago, an elementary school student falls on an island in the northern tip of Hokkaido. A teacher and 6 students makes contact through songs. What happened to the student who fell? ... See full summary »
Leaving her alcoholic husband, Eiko takes their son Masaya away from Tokyo and back to her hometown in a Kyushu rural mining community. She toils to support him though many years of ... See full summary »
After the collapse of their relationship, Kiwako abducts the 6-month old child of a man she was having an affair with. Raising the child as her own, it is four years before the authorities catch up with her and the young child.
In the year 1590, powerful daimyo Toyotomi Hideyoshi nears his plan to unify all of Japan, but he comes across a floating fortress known as Oshi Castle. Narita Nagachika must use his army to defend the castle.
Rookie movie director Koichi and his crew travels to the mountain village of Yamamura to film his next movie. The villagers are eventually enlisted to help film the movie and, in particular... See full summary »
The opening shot is reminiscent of OZU's FLOATING WEEDS in which NAKAMURA GANJIRO and KYO MACHIKO had a shouting match in the rain, taking shelters in an alley separated by the hard rain. KYO had a red umbrella. So did this opening. A woman who wears the exact kimono KYO wore runs across the screen, breaking the tension between Young mother and her son, Kosaku. Beautiful tribute to the OZU masterpiece.
The film starts with the hard rain and ends with the end of rain. Young mother gives Kosaku a lucky charm in the opening. Aged Kosaku returns the lucky charm to his mother in the coffin in the end. Fascinating book-end effect! In between, many scenes involving water. At one point, Kosaku refers "Sea" as metaphor of Death.
His second daughter leaves for Hawaii by the sea reminiscent to the departure episode in TOKYO TWILIGHT. OZU tributes everywhere, yet the characters are deep on their own. Probably deeper than any characters in OZU films.
And then INGMAR BERGMAN. I think the basic situation of the novelist/antagonist is similar to GUNNAR BJORNSTRAND role in THROUGH A GLASS DARKLY.
This film won the Special Jury Grand Prix at the 2011 Montreal World Film Festival. How come it's not recorded in the award column?
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