| Page 1 of 2: | [1] [2] |
| Index | 11 reviews in total |
Good lord, where is a Final Destination style Heath Robinson teen kill when you really need it? Generally I love meta movies in the form of "If this were an (insert genre) this would happen", in this case Bildungsroman, but this one contrived to be so utterly devoid of charm or wit that I just about wanted to slit my wrists. And the sad thing is that the ingredients available were so great - Eva Mendes + Patricia Arquette + Matthew Modine = YES PLEASE!!! The only problem was that the role given to the teen actress protagonist was absolutely unbearable. I don't mean any disrespect to the actress because she committed to the role 100% - it was the fault of the writer and director. What could have been heartwarming and cathartic (like Easy A for example) ended up being a great big nerve-grating, embarrassing snorefest. 3 out of 10 because I'm feeling generous.
I watched this movie last night and thought it was a great movie.
The movie starts off slow and a bit quirky. At times it even feels like
it is trying to hard to be something its not. Then somewhere in the
middle, it drops the quirky and the story develops. I became invested
and began to care for the characters.
The acting was good. Both main actresses do a great job in their roles
as mother and daughter. As an educator myself, I see these types of
mothers and daughters almost every school year. It was nice seeing
their story be told and also one from Latin roots.
I would recommend this movie because at the end of it all, you leave
the movie with some thoughts and emotions tied to the characters.
Good film.
*** This review may contain spoilers ***
The idea of a teenage daughter rebelling against her mother under the
guise of gaining independence is compelling. The fatal flaw of "Girl in
Progress" is that this idea is not taken seriously until the final act,
at which point we've been so turned off by the plot and characters that
we no longer care. It really is shocking how badly this movie is
structured and how poorly the characters are developed; what should
have been a poignant and insightful generational story has been reduced
to an implausible and inconsistent mess. It starts out at the level of
a second-rate sitcom, one that makes the dread mistake of believing the
jokes it's telling are actually funny. It then makes a wild shift in
tone and becomes shamelessly sentimental. This is not to suggest that
it turns dour and depressing; it simply becomes mechanical, with all
the emotional loose ends tied up into neat little knots.
Taking place in Seattle, it tells the story of a teenager named
Ansiedad (Cierra Ramirez) and her mother, Grace (Eva Mendes), who got
pregnant at seventeen, was kicked out of the house by her tyrannical
mother, never finished high school, never got married, and now works as
both a maid and a waitress in a seafood shack. She talks the talk about
going back to night school, getting her diploma, and moving towards a
computer career. That's actually the reason she and Ansiedad moved to
the Pacific Northwest in the first place. The thing is, they have moved
numerous times in the past several years. And Grace is no closer to
starting night school. What's the holdup? Basically, she has refused to
grow up. She has had several men in her life and is currently dating a
married gynecologist (Matthew Modine). One could make the case that
she's fun to be around, but she really isn't there for Ansiedad the way
a parent should be.
Ansiedad, obviously aware of her mother's caviler attitude about
everything, rebels in school by making inappropriate class
presentations. Then her English teacher (Patricia Arquette) introduces
to her the concept of the coming-of-age story, and this is the point at
which the film goes spectacularly wrong. In learning about such
stories, in which a character or set of characters transitions from
childhood to adulthood, Ansiedad decides that she has been a kid long
enough and that she must accelerate her journey towards maturity and
independence. She researches coming-of-age stories extensively,
especially in regards to the formula they tend to follow. From that,
she compiles a list of life experiences that she must go. She then
makes a creative-looking arrow chart and enlists her best friend,
Tavita (Raini Rodriguez), to help her cross every item off the list.
In following it, Ansiedad proves she knows absolutely nothing about
authentic coming-of-age stories. Her methods are cruel, manipulative,
dangerous, and quite frankly, stupid. Had director Patricia Riggen and
screenwriter Hiram Martinez been aware of this, perhaps this plot
device would have worked. Alas, they initially treat it as a
lighthearted comedy routine. Essentially, she believes she must go from
being a "good girl" to a "bad girl," at which point she will
miraculously come out the other side an adult. On the journey, she will
join the chess club, dress nerdy, provoke the mean girl, manipulate her
into friendship, start dressing as a bad girl, lose interest in school,
catch the attention of the one boy who's a womanizing jerk, and
ultimately lose her virginity to him. She will also pretend to dump
Tavita by making fun of her weight and sneak into a nursing home just
so that she can claim sickly old woman as her grandmother.
Ansiedad is so desperate to go through these life experiences that she
will steal money from her mother, lie to authority figures, and
intentionally ruin her reputation. How could anyone in their right
minds believe this to be suitable material for a comedy? This is just
tactless and insensitive. This story needed to be in the hands of
filmmakers who actually understand people, teenagers and adults alike.
The characters in this story are about as authentic as three-dollar
bills. By the time we reach the final act, at which point it becomes a
bit more dramatic, the damage has already been done. We no longer have
it within us to like them, or even to invest in them for dramatic
purposes.
Grace is the subject of a silly and barely developed subplot involving
suddenly becoming the manager of the seafood shack and a
busboy-turned-waiter nicknamed Mission Impossible (Eugenio Derbez), who
can barely speak English but clearly has a thing for Grace. He does
something for her, something that largely exists only in movies like
this. His promise to correct his mistake is even less believable, if
such a thing was even possible. Meanwhile, Grace continues to see her
married lover on the sly, eventually figuring out that he's a
sleazebag. We, of course, had figured that out as early as the first
scene. If "Girl in Progress" is what counts for a coming-of-age story
nowadays, we might be forced to go back to the drawing board. Its title
isn't even deserving of the word "progress."
-- Chris Pandolfi (www.atatheaternearyou.net)
Girl in _Progress is actually a very simple, straightforward story
about a young girl doing her best to cope with her own adolescence as
well as her not-much-older mother who, in actual fact, is doing almost
the same thing. Due to her history (harsh, non-understanding mother),
Grace (Eva Mendes), is desperately trying to find the love that she
didn't get when she was Amiestad's age - and why shouldn't she?
I suspect that this movie is a lot closer to real life than a lot of
viewers realise. Teenagers forget that their parents have given them
the very best years of their lives form the time they were born right
up to the time they think they know everything - and then some more!
Fortunately Amiestad realises this a lot sooner than many kids her age
but not before hurting her bet friend unforgivably (even though her
best friend DOES forgive her!)
In this film, mother is only about 34 or 35 and still a beautiful woman
who has the very same needs as her daughter - although her daughter
(initially) totally fails to recognise that fact. Like many teenagers,
she thinks that the world revolves around her - but it doesn't and, at
least in this movie, she finds out before it's too late.
I would suggest that this should be compulsory viewing for all
adolescent kids but I fear that, in a lot of cases, they would shrug
their shoulders and just say, "Whatever!"
As Ned Kelly said when told he was to be hanged at ten o'clock the next
morning, "Such is life!"
Coming-of-age films are a dime-a-dozen and, surprisingly, good coming-
of-age films are also a dime-a-dozen providing they have the right
hook and the right leading teenager. That's exactly why "Girl in
Progress" can neatly fit itself in-line with other memorable and good,
but not great, teenage girl films. Ansiedad (Cierra Ramirez) is a
snarky teenager, fed up with her immature mother (for good reason) and
rebels at home and at school because she's got nothing better to do.
The single mother, Grace (Eva Mendes), goes from one married man to
another, to a new town, and from same old waitressing and maid jobs to
another. Mendes isn't great but then again her character is as selfish,
immature, self-absorbed and superficial as one can get. The daughter,
Ansiedad, has been described as mean, manipulative and stupid, just
like how angst-ridden teenagers can be. It worked here, since in the
beginning at least, her many negative attributes were presented
humorously, and given her age she isn't supposed to be as mature or
responsible as her mother.
The hook, though, is what really elevates "Girl in Progress" to "good".
In school, Ansiedad's teacher (Patricia Arquette) is educating the
students on coming-of-age stories. Where, through a series of events,
teenagers essentially become adults. This is exactly what Ansiedad
wants, and she is fairly perceptive, so she is able to write out the
various situations that the teenagers in all the stories experience in
order to become adults. A manual for coming-of-age stories explained in
a coming-of-age film.
Ansiedad follows it to the letter, even shortening her name to Anne,
but of course, the maturation process is not something that can be
mapped out. The tone of the film becomes uneven when we switch from
humorous to sentimental when Anne becomes frustrated when she is not
yet an adult. But that's the type of frustration that audiences should
relate to rather than just getting annoyed by.
Grace's married man of the month is Dr. Harford (Matthew Modine). He is
of course sly, unscrupulous and dishonest but the writing of the
character and Modine made him worth your time. Dr. Harford is also
smart, smarter than Grace, and he allows for both an unlikable
character to remain unlikable and to have an unlikable character as the
catalyst for change. The supporting characters, like him, and the hook
make "Girl in Progress" both likable and smart. Relatively, speaking.
For those who remember Cher and Winona Ryder in Mermaids and liked it,
this is an updated Hispanic irresponsible mother and cry for help
daughter comedy. There are some laugh out loud moments. The drama and
comedy don't blend that smoothly as hoped but overall it's a cute
story.
The performances are good. Eva is funny and touching. She is a great
comedienne and very convincing in the more serious moments. It's nice
to see her in a real latina role speaking Spanish. She is believable
showing blue collar struggles - much more than Jennifer Lopez.
Strange casting of Matthew Modine as the married cad who romances Eva's
character. He is usually the good guy so it's a bit strange to see him
in the role.
Overall it isn't has polished as Mermaids but it's worth a watch.
*** This review may contain spoilers ***
CABIN IN THE WOODS has a group of kids unknowingly forced into a
slasher film setting, becoming victims of other people's whim.
Ansiedad, our lovely protagonist, uses the same concept with a
different genre and is in complete control of the situation, almost.
In an attempt to mirror the plot-points of Coming-Of-Age novels, she
intentionally lives the life of a good girl who progressively turns bad
and, like in the books, sets up a character-arc by becoming a geek in
the Club and then befriending the mean-spirited popular girls; going to
parties; and hooking up with a rebellious womanizer.
Not all of these plans are carried through, and along the way she burns
bridges not intended: like hurting her overweight best friend and
distancing herself even more from her single mother Grace, played by
Eva Mendes, a sexy working-class free-spirit having an affair with a
married man.
Not sure whether it's a quirky JUNO type indie holding back or a
mainstream flick with an edge, the film lacks focus while the
over-opinionated teen gets annoying. She knows too much for her (and
our) own good. Thankfully there's Grace
working at a Crab restaurant
and trying to keep her affair alive
to even things out, but even her
tale feels clichéd and, eventually, predictable.
But despite the flaws, the actresses (including Patricia Arquette as an
English teacher) try their best make it work.
This is a well-scripted and sincerely acted family movie, devoid of
profanity. I will leave it to other parents to decide whether it is
effective, but in light of the trash that we are sold as cinema, here
is a sweet movie that attempts to convey the difficulties that
teenagers and parents face together - or apart.
I registered with IMDb.com just so that I could provide a positive
review for this movie. As I watch many movies, I take notice of those
that do not try to shock, but tell a simple story well. Although the
story of the main character is certainly contrived, as it serves as a
vehicle for her situation to have relatability, the premise is
believable, as many parents can attest to the fact that children grow
up all too fast in our "culture", and that children will make mistakes.
It may also help children to recognize the trials that their parents
face in daily life. So, this is a very decent movie for parents and
teenage children to watch together, and may serve as a tool to increase
common understanding in families.
*** This review may contain spoilers ***
This is my first movie review so forgive me for being brief and
straight to the point.
This movie made me laugh, cry, shout and who knows what else lol. It is
the absolute perfect coming of age movie with a nice twist. Instead of
it just happening for the young main character, she decides to create
her own way into what she considers to be adulthood. Little does she
know is that life doesn't.. No life can't really work out that way.
There is a little unexpected twist at the end, but I absolutely love
that. Although not everything in the mother and daughters lives aren't
as picture perfect as any movie ending can be, it ends so beautifully
and with just the right amount of 'feel good' resolution that you want
from a happy ending. GAAAH. Watch this movie. Rent it. Buy it. I would
consider it this generations new Breakfast Club. The perfect teen
stereotype, movie stereotype, girl coming of age stereotype movie.
Sigh. Seriously. Watch it.
Loved the idea of this movie and what it was mostly about, but must say this movie totally lost me with it's overuse of the word retarded. I really think society today knows better than to incorporate that derogatory word in the media. There is no purpose. Shouldn't we be eliminating that word from our vocabulary, nor encouraging the use of it? What talented writing; there is no reason for this! Beyond that, movie was great and different from anything I have watched in some time. Interesting story about a young girl trying to find her way without a true mother figure and the struggles she goes through. Very good depiction of a rough adolescence and makes you laugh cry and sympathize with the trials and roughness of this age.
| Page 1 of 2: | [1] [2] |
| Ratings | Awards | External reviews |
| Parents Guide | Official site | Plot keywords |
| Main details | Your user reviews | Your vote history |