Two bumbling store clerks inadvertently erase the footage from all of the tapes in their video rental store. In order to keep the business running, they re-shoot every film in the store with their own camera, with a budget of zero dollars.
Michael Gondry's examination of childhood love is replete with his trademark surreality. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium... See full summary »
A visionary journey into a punk-rock future where three rebellious teenagers rise up against their government and discover that ruling the world is not as easy as it seems, based on a universe created by Michel Gondry's son Paul.
This film should have come with a prominent warning label. It is more about the unintelligible filmmaker than about Chomsky. It ignores Chomsky's fascinating political persona, other than to allow him to briefly mention that he was in jail several times, without elaboration.
Very little of Chomsky comes through, since about 98% of the visuals are animations and hard-to-read hand scrawled subtitles, and the interviewer/filmmaker, who talks a lot, has an cripplingly heavy French accent and badly mispronounces many words to the extent that they can't be comprehended at all. What immense irony -- a film about linguistics made by someone who can't use the language properly, yet insists on putting himself front-and-center, both verbally and visually.
Chomsky, one of the towering intellectual giants and political philosophers of our time, deserves much better than this.
14 of 33 people found this review helpful.
Was this review helpful to you?