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The Place Beyond the Pines (2012)

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A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.



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669 ( 5)
4 wins & 19 nominations. See more awards »
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Cast overview, first billed only:
Craig Van Hook ...
Angelo Anthony Pizza ...
Baby Jason (as Anthony Angelo Pizza Jr.)
John Facci ...
Priest (as Rev. John Facci)
Tula ...
Robin's Dog
Penny ...
Robin's Dog
Cynthia Pelletier-Sullivan ...
Teller #1 - Bank #1
Mackenzie Trainor ...
Teller #2 - Bank #1
Nicole Califano ...
Teller #3 - Bank #1
Shannon Plumb ...
Lady in Ice Cream Shop
Tracey Agustin ...


A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines. Written by StudioCanal

Plot Summary | Plot Synopsis


One moment can change your life.


Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language throughout, some violence, teen drug and alcohol use, and a sexual reference | See all certifications »

Parents Guide:



Official Sites:

| |  »




Release Date:

19 April 2013 (USA)  »

Also Known As:

El lugar donde todo termina  »

Filming Locations:



Box Office


$15,000,000 (estimated)

Opening Weekend USA:

$279,457, 31 March 2013, Limited Release

Gross USA:

$21,383,298, 23 June 2013
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


According to Ryan Gosling, all of his bank robbery scenes were done in one take. See more »


In the swimming pool scene, Avery is lit by diffuse skylight as he rests on the edge of the pool. After the last cut to Al, which lasts only a few seconds, Avery is lit by bright sunlight. See more »


Luke: You don't love me you don't like me I fuckin' get it. I'm a piece of shit, OK? I'm still his father, I can give him stuff. I got this for him, just give it to him. Tell him it's from me.
See more »


Written and performed by Jim Helton
Courtesy of Jim Helton Music
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Frequently Asked Questions

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User Reviews

Pining for Ryan Gosling
9 April 2013 | by See all my reviews

I intended to see The Place Beyond The Pines upon viewing the preview for the first time. The image of Ryan Gosling speeding into the tree lined horizon of upper New York was mesmerizing. I was curious to find out what he will bring to the character. Then, mixed reviews came in. Everyone praised Gosling's performance, he never disappoints, yet most found the three part vignettes disjointed and that the movie ran too long. With the film in limited release, I wondered if it was worth venturing out to Manhattan to see it. As my enthusiasm wavered and the film descended to the bottom of my to-see queue, I came across James Franco's review in the Huffington post. Franco's post about The Place Beyond The Pines is poignant, exhilarating and downright beautiful. He paints a vivid picture of Gosling (The Gos). He masterfully crafts each sentence in appraising the performance both individually and collectively. After reading the review, I too wanted to make love to the movie. Having availability this weekend, I decided to dedicate three hours to the appreciation of the Gos. With every scene, Franco's voice echoed in my head as if he was sitting right there whispering the film's narrative into my ear.

Despite being a bit long, with an over indulgent mid-section, The Place Beyond The Pines is an enjoyable experience. Having read the reviews prior to seeing the movie, I had a feed-forward on the events and the story's progression. This, however, did not diminish from the film's magnificence. Gosling evokes a magnitude of emotions. I swooned, I smiled, and I cried. Gosling's rendition of the troubled soul but good at heart Luke is so consuming, you crave him in every scene. I wonder how different Bradley Cooper's chapter would have been if Gosling was cast in the role. I was eager to see him spar with Ray Liotta. Not to fault Cooper, for it is refreshing to see him convey other sentiments rather than disdain from behind his Hangover glasses. But how can he follow Gosling's performance - no one can. In large part, this is the reason Cooper's vignette seems over drawn. However, Cooper was successful in getting the audience to dislike Avery despite sympathizing with his character.

The Place Beyond The Pines plays like an inverted sandwich, with the dull stale slice of bread encased between two meat patties. The last portion of the movie is a powerful bookend to Gosling's chapter, bringing together the fate of our antagonistic protagonists. The film's major premises, as Franco so eloquently states, is a Shakespearean Sins of our Fathers. It begs the question, are we destined to follow in the footsteps of our fathers regardless how much or how little influence they had in our lives? As if our destiny is decided by our genes not our actions. The movie also touches on the dichotomy of good and bad, more of the contrast between what society, and perhaps the viewer, deems as good or bad and the intentions of individuals. We often set out to do good, but in a bad way with the notion of the ends justify the means. However, when is this conflict accepted both publicly and privately. This brings us to another theme, conforming to society. The more we conform and assimilate with the masses, the more forgiving people will be of our sins. As opposed to loner stoners who do what they want as they deem appropriate. Society more readily judges and prosecutes their sins because they are viewed as renegades and outsiders. The Place Beyond The Pines raises the question, which of our two antagonistic heroes will die with a clear conscience.

After reading Franco's post, I was hesitant to publish this review. My writing could never so articulate my sentiment in such a profound manner as Franco's review. Whenever I try to wean myself off this Franco crush, he does something so admiral that elevates him to new heights, so admiral that he would serenade the performance of a fellow actor and pine for the Gos! If The Place Beyond The Pines is not on you must-see list, may I suggest that you read Franco's review and then decide. I guarantee that you'll speed out the door in search for a showing upon reaching the last words - Burn Hard Baby!


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