A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A mysterious and mythical motorcycle racer, Luke, (Ryan Gosling) drives out of a traveling carnival globe of death and whizzes through the backstreets of Schenectady, New York, desperately trying to connect with a former lover, Romina, (Eva Mendes) who recently and secretly gave birth to the stunt rider's son. In an attempt to provide for his new family, Luke quits the carnival life and commits a series of bank robberies aided by his superior riding ability. The stakes rise as Luke is put on a collision course with an ambitious police officer, Avery Cross, (Bradley Cooper) looking to quickly move up the ranks in a police department riddled with corruption. The sweeping drama unfolds over fifteen years as the sins of the past haunt the present days lives of two high school boys wrestling with the legacy they've inherited. The only refuge is found in the place beyond the pines. Written by
Two months before filming, Andrij Parekh, who shot Blue Valentine, refused to do the film largely because of the Globe of Death stunt in the opening. According to Derek Cianfrance, Parekh spoke to him on the phone saying he refused to do the film because he had dream that he would be killed during filming. This nearly became a reality though as during the filming of the stunt, cinematographer Sean Bobbitt was nearly killed but was instead knocked unconscious when a motorcycle landed on top of him despite wearing heavy protection gear and helmet after filming the second take of the stunt inside the cage. See more »
2-stroke and 4-stroke sound of motorcycle mixing continuously. See more »
Written by Gregorio Allegri
Arranged by Vladimir Ivanov (as Vladimir Ivanoff)
Performed by Osnabrück Youth Choir
Johannes Rahe, Director
Courtesy of DA MUSIC/CCnC, Germany
By arrangement with Hearts of Space Records
Valley Entertainment, Inc. See more »
The trailer to this film is rather misleading. It's the equivalent of advertising the whole of Disneyland with just clips of Space Mountain again and again. There's a lot more going on here than Ryan Gosling robbing banks and being a general badass in The Place Beyond The Pines. There are in fact at least three main characters all with their own story. And while the Ryan Gosling section is, a bit like Space Mountain at Disney, the best bit of the package he is only one part of a much bigger picture.
A motor bike stunt rider finds out he has a son so packs in his day job and takes the logical step of robbing banks to provide for him. The story deals with the family life of the man as well as a rookie cop who exposes his police department to be corrupt.
I found the film very absorbing from the start with Ryan Gosling's character development on fast forward so at least 3 massive life events all happen in the first 20 minutes of the film. There's not a lot of action scenes but when there are they're very tense and exciting.
The family life aspect is quite heartwarming and you do believe that his character does love his son and wants to provide for him. There are fantastic believable acting performances all round here with Ryan Gosling and later on Bradley Cooper really showcasing their acting talents. It's engaging and I really cared what happened to both of their characters.
The main problem with the film is it's length and not knowing when to stop. The first part of the film is constantly engaging and would be a nine out of ten if the film stayed like that the whole way through. When the focus shifts from characters however it really doesn't feel as exciting and almost feels like the start of totally different movie. A movie that isn't bad but is nowhere near as good as the one you've just seen.
Every story told is linked obviously but sometimes it feels a tad loose. There is a dramatic time shift when the film reaches the 100 minute mark and what follows really seems to drag. It never really felt like it was going anywhere. It was by no means boring however, it just lost a bit of steam towards the end. The Place Beyond The Pines is worth a watch but just be prepared to have you're socks blown off and then have them planted firmly back on your feet as the film continues.
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