4 out of 4 people found the following review useful:
CurtHerzstark from Sweden
11 June 2012
SVT(Swedish public service TV) have been showing smaller, Swedish
independent films on their channels.
This one of them, directed by newcomer Shaker K. Tahrer.
The film story centers around three boys, and their families whose
lives overlaps, criss crosses into complex web of intrigues.
The narrative structures is reminiscent of Altmans Shortcuts, or
Danniel Alfredsons film Tic Tac (1997). This film however, is a debut
feature and suffers from some clichés, badly written dialogue and plot
twists that are not well written.
On the positive side, director Shaker K. Tahrer, seems to know how to
direct actors, because this film is filled with wonderful performances.
Elin Klinga, is a rather well known actress in Sweden mainly doing
theater work. Here she shines a mentally unstable woman who harbors a
dark secret that gnaws at her mind.
Klinga gives a stellar performance and wishes that perhaps the film
should have centered around her.
Her son played by Tom Ljungman is very good here, I have never seen him
before but he really shines here and together with Klinga creates a
moving and somewhat touching performance of a very problematic mother
Jacob Nordenson has usually delivered as an actor mainly in comedic
roles but in this film gives a darker, more complex performance. He is
man that has given up on life and everything else. Slightly reminiscent
of Keve Hjelms infamous father role in the famous Swedish film
Kvarteret Korpen (1963).
These and other great performances by actors such as Nina Gunke, Stig
Engström, Rikard Björk, Mats Sandahl, Marika Lagercrantz etc makes this
film a pleasure to watch.
But as I mentioned earlier the film has its flaws, mainly in the
script. It becomes unfocused, and some conflicts should have been cut
Perhaps this film would have benefited if Shaker K. Tahrer had focused
only on one conflict?
It worked for the Swedish drama thriller Apan/ The Ape(2009) directed
by Jesper Ganslandt. Although flawed this film should be seen by people
interested in new Swedish cinema and people complaining about Swedish
film industries incapacity to make anything else then movies about
I only wished that Shaker K. Tahrer had seen Tic Tac (1997), Dancer,
Texas Pop. 81 (1998), I vitelloni (1953), and written a more richer,
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