John is taken on a murder-fueled ride by a mysterious stranger that transforms the weak-willed, disillusioned husband and father into a desperate hero willing to go to any length to protect his family.
After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.
Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
The real estate agent John is down on his luck: he has been just fired from his job; his home has been sent into foreclosure; and his marriage is going downhill. On his birthday, his wife Joanie has an argument with him and she takes their children walking. Out of the blue, stranger Richie knocks on his front door and asks for help, since his car is not starting. John helps to push the car but hurts his leg, and Richie offers to take him to the hospital. Richie is inconvenient and along their journey, John realizes that the man is a psychopath killer that commits a spree killing everywhere they go. Then, Richie releases John on the road and tells him that he will pay a visit to Joanie and his children. Meanwhile, the police detectives Frank and his partner Latisha Rogers suspect that John is the serial-killer and they pressure Joanie to tell where John might be. Further, they discover that John and Joanie are cheating each other with a colleague and with a worker respectively. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Ritchie and John meet, Ritchie tells John he needs a push to jump start his stalled car. As John pushes and Ritchie steers John says "pop the clutch". Soon after, the camera cuts to a view of the drivers floor and there is no clutch only the accelerator and brake indicating the car has an automatic transmission. So, not only is the description if the car incorrect, it is nigh impossible for one man to manually push start a car with an automatic transmission. See more »
A good powerful performance from Samuel L. Jackson
Firstly I must say that the entire first half of the film kept reminding me of Collateral just with a switch of Tom Cruise to Samuel L. Jackson. Now as far as the film is concerned the plot was very familiar to me, I have seen it before but then again what haven't I saw before. For it's rather simple plot basis you come to expect some pretty good acting throughout, if you are looking for a complex thriller with twists & turns you may not like it, it's all about the acting. Now for the action and basic thrills of the film, they do enough to deliver the viewer a decent portrayal of good guy(Wilson) caught in the web with a very dangerous man named RICHIE (S.L.Jackson). As the film starts Wilson's character named JOHN is literally having THE WORST DAY of his life, his career has gone down the toilet & if that isn't bad enough he comes home to see a foreclosure note on the front door of his beautiful dream home plus he also has two young children to take care of. Then right about when I would be downing a handful of Valium he gets on knock on his door and there stands good old Samuel L. on his door step dressed in a nice suit & hat to boot and his evil presence is felt immediately, plus we know him from his lengthy film career as one real bad son of a @itch. His power and presence is tremendous for every minute.
Sadly, what happened to him earlier is just the starting point of an even worse day for this poor devastated man John. Then with a hard knock on john's door stands Jackson's character Richie arriving at his house complaining of car trouble, asking for a push to pop the clutch because he said it was running on fumes. One thing led to another & before you know it Wilson's character is barreling down the highway with Jackson at the wheel. The events that occur for the rest of the film let's say are pretty interesting to say the very least. Though he doesn't know it yet John is in for the ride of his life. I know that a lot of viewers have seen this plot before, it's been done countless times over the years, but with the right writing and convincing characters you could provide the needed electricity to entertain you for the run time
The acting from Jackson was what made this a good film, I couldn't think of another actor I would want to take his place It's a solid 7/10 partly because the production & cinematography were excellent, I enjoyed the camera work quite a bit. As for the conclusion of the film I was slightly surprised at the end though there was many subtle hints thrown at the audience all throughout the film. I am guessing that this isn't going to have a theater showing, due to the plot & not enough beef for Hollywood to embrace. So many films during 2011 that I thought were amazing went to VOD, I would like to see exactly what criteria they use, whether it's private screenings or what? Anyway again I call this a 7/10
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