Little Boy

Saw the screening and loved every minute of the film. Not only is it inspiring, but it makes you think and see the world through a child's eyes.

Engaging storyline, amazing cinematography and great acting. Jakob Salvati is perfect for the part. Truly a natural.

Recommended for the entire family with a message that can be applied to all aspects of life in any culture and language. Little Boy teaches children young and old that having Faith can make the impossible, possible.

It's evident the thought that was placed in creating a quality film for everyone to enjoy with a positive message.

This isn't a perfect movie - but it's a very, very good one. I hardly ever write reviews, but after seeing the really terrible critic reviews this movie has received, I thought I owed it to any potential watchers to let you know that I believe the Metascore is very misleading.

This movie really has no fatal flaws - the story is well-built, the acting is very good (much better than I expected), and the filming is beautiful. The tone of it really gives the right feeling of the time that the movie is set. The involvement of religious themes is only objective, and is viewed from different perspectives.

The only thing I'm missing is a bit more development in a few of the supporting characters, but that didn't really take much away from the overall impression i was left with. Pretty much everything else works really well in my opinion.

So if you're considering watching it, please do! It's a beautiful movie that is guaranteed to make you smile (:

Not much to say except I'm really annoyed by the critics sometimes. This movie is solid. Has a vintage old-time feel to it. Well acted. Deals with the problems of the times (racism, bullying, war, alcoholism, death) in a dramatic, humorous and clever way.

Great story. Whole family loved it. They dealt with faith in a reasonable way. They pulled heartstrings without being saccharine. The critics are just so dead-set on hating any movie that deals with faith, especially the Christian faith. This movie soft-pedals that faith - but it definitely is a strong element.

Wholeheartedly recommend this movie to families who want to be able to go out together for a movie, and be inspired and entertained at the same time.

Ya know, I pride myself as a macho strong, independent man, I don't have a pick up truck nor have I engaged in caber tossing like they do in that Scottish athletic games, but I don't easily cry while watching a film, no matter how sentimental it can get. The last time I shed tears was when watching "Armageddon" the scene in which Bruce Willis said goodbye to his daughter played by Liv Tyler. But my holy freakin' goodness, LITTLE BOY had me literally crying like four times at the screening, four times, man! And ya know what, I didn't regret it at all. This is a very powerful, inspiring, can-do film, led by child star, Jakob Salvati whose talent is bigger than his appearance.

From co-writer/director Alejandro Monteverde, LITTLE BOY is about an 8-year old boy, Jakob's character, Pepper who believes that he has what it takes to bring his father home from WWII alive. He and his father are really close, so when his father (Michael Rapaport) leaves for war in place of his oldest son, it sets off events in that family, in that community, in that small town that will get them all learning about tolerance, faith, and love. Jakob is given a task by the local priest (Tom Wilkinson) and this list of assignments are supposed to help bring his father back, one of them is for Pepper to befriend the only Japanese resident, Hashimoto (Cary-Hiroyuki Tagawa), it's an uphill task for Pepper seeing that his older brother and the whole town are blaming Hashimoto for the war.

Christian community might see this film as something that they can encourage their members to go to theaters and see with their families and I think they should, but LITTLE BOY is not a Christian film. It also wrestles with the idea of believing in one self, one's will power. But what's great about this film is that it doesn't take sides, it only goes to show that many people hold different beliefs, doesn't always mean that some are more right than others. This child actor, Jakob, blew me away. He's so effortless, you feel his pain and agony, Jakob makes it so easy for us to feel sad for Pepper, makes us want him to be a better kid each day. If you're looking for a good cry, LITTLE BOY is the prefect movie for you, it's a tear jerker but not in a sense that it alienates certain audiences, because anybody who's dealt with loss or separation, anybody who doubts the idea of a mountain-moving faith, can relate to LITTLE BOY.

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LITTLE BOY is a decent film that I didn't know was a faith-based endeavor until people started complaining about it. Having watched and reviewed Christian films in the past (THE RELIANT, LEFT BEHIND, and THE SHACK come immediately to mind), films that objectively weren't very good, this movie didn't strike me as being a part of that milieu. It may or may not be, but it is certainly a cut above the others in terms of acting, writing, and production values. If its intent is overtly evangelical, the filmmakers did a good job of making it palatable -- and of offering a strong example of what faith films should aspire to if their real intent is outreach rather than preaching to the choir.

Nevertheless, LITTLE BOY is at the very least perceived as a Christian film, and that means it's open season for derisive and cynical critique. For example, some smugly insist, without citing any specifics, that LITTLE BOY is "historically inaccurate." Let's unpack that.

Pearl Harbor was bombed in a surprise attack on December 7, 1941 (coincidentally 81 years ago today) and, as a result, we fought a war against the Japanese in the Pacific. That's straight-up real.

Intrinsic to LITTLE BOY's plot is the notion that innocent Japanese-Americans were mistreated, stolen from, and forced into internment camps before being released penniless and without apology near the end of the War. Yes, that happened.

When these innocent Japanese-Americans were finally freed, they were hated, discriminated against, and outright abused based on the fact that they had the "face of the enemy." Check.

(The book Infamy, by Richard Reeves, covers Japanese-American internment in significant detail. I recommend it.)

In early August of 1945, we used an atomic bomb -- two of them in fact -- in Japan, and one was nicknamed Little Boy. Two cities with which we all are familiar were obliterated. Incontrovertibly true.

Americans were held as prisoners of war in the Pacific theater. Some died and some came home. Most, if not all, were brutalized. Um, yeppers.

That's literally the full extent of the history that's even touched upon in this movie, and none of it is false. Should there have been more? Should the reasons why all these things happened have been addressed? Should events have been better contextualized? Maybe, but that would have made for a very, very long and very different film.

Instead, this movie maintains its focus on the story of an American boy of the era and, as such, doesn't dwell too much on the morality, or lack thereof, of the War in the Pacific and its belligerents. Rather, it spends its time contemplating matters at home and matters of personal integrity, exploring the concept that we should treat all people with kindness and judge all as human beings based on their individual merits. Cries that this is a racist film based on the depiction of things that really happened simply don't hold up. Cries that this must be a racist film because it's connected to Christianity are even dumber and reveal more about the complainant than about the film itself.

Where LITTLE BOY fails, to the extent that it fails at all, is in its simplistic vision of a very complicated world in which faith usually doesn't move mountains but, instead, helps us to climb over them, and sometimes even then with great difficulty. Had the filmmakers resisted the urge to offer up a traditional happy ending with smiles and hugs and happy tears all around, it would have been better for the overall effort. A smidgen more imagination and, dare I say it, inspiration might have led to an uplifting ending that didn't undermine everything that preceded it.

Without doubt, LITTLE BOY sports themes rooted in faith, but that's not all there is to it. As a work of cinema, it's so much more. Still, if all viewers can bring to the party is an abiding hostility toward God, religion, and the devout, they'll miss all the good stuff, reaching instead for criticisms poisoned by ideology and not informed by what's actually presented. And that's really a shame.