A modernization of the classic western in which the Cowboys are a struggling local amateur soccer team, the Indians run a nearby Tandoori restaurant and the bandits are a group of menacing ... See full summary »
While Davie befriends Alan Venters, the serial rapist responsible for his girlfriend's HIV related death and his own infection; he struggles to find the perfect means of revenge. Davie soon... See full summary »
When a teenager, Chun-Li witnesses the kidnapping of her father by wealthy crime lord M. Bison. When she grows up, she goes into a quest for vengeance and becomes the famous crime-fighter of the Street Fighter universe.
Michael Clarke Duncan
This movie falls so far from it's intended objectives that I almost wonder if it isn't some sort of multi-layered social joke that the director is playing on his audience. The entire film from start to finish feels as if a naive & innocent thirteen year old boy wrote and directed this embarrassing excuse for a motion picture film to impress his older brother who does drugs. Other than the stylishly ripped-off poster design, there is... LITERALLY.... nothing about this film that doesn't make you constantly cringe out of embarrassment for all involved.
The first batch of reviews that give this movie a 10/10 MUST BE FAKE. There is no way that a person coherent enough to read and write English could possibly view this film as a "Must see film," or "Great Cast, Great Story," or my personal favorite: "The Definitive Film about Ecstasy and Clubbing Culture."
Netflix now has this film, and, just like everyone else, was drawn to it out of love for Trainspotting. After quickly looking up the IMDb/Rotten Tomatoes ratings for the film (IMDB=4.7/10, and Rotten Tomatoes has it hovering around a 14%/100) I knew I probably wouldn't get my mind blown, but I wasn't expecting a film this truly awful.
From the first scene which desperately tries to capitalize on the visual aesthetic of Trainspotting, the entire movie becomes an inconsistent mess of AWFUL acting, childish dialogue, flat and borderline nonexistent narrative, and of course there's the music. This film, adapted from one of the best counter-culture authors of the 20th century, had ALL THE WORK DONE FOR IT. All they had to do was properly rip off Danny Boyle's Trainspotting, apply it to this novel, and they would have at least an AVERAGE film. The entire premise revolves around emotionally exposing the 90's underground rave/club culture, and the entire soundtrack consists of, from what I can tell, the same four bars of the most generic "club beat" I've ever heard, and it only plays in the background of these small scale pathetic "rave" sequences where it becomes obvious that the scene consists of less than 20 extras generically moving in a basement while some cheap strobe lights try to mask the films budget and attempt to make it look like a pulsing, sweating, out-of- mind ecstasy club.
So my advice to you is, watch it, but only if you have a morbid curiosity to see in real-time what it feels like to watch the careers of probably everyone involved get quickly erased out of history. I can't imagine trusting director, cinematographer (if you can call him that), or ANY of the actors or writers to coherently create a low-expectation soap opera episode, much less another film. I suppose I'm glad that it was made, so people know for certain how terrible all parties involved are at their respective craft.
Embarrassing. I just spent ten minutes writing this to save you the pain of this film destroying what little expectations you might have from it.
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