| Photos (See all 23 | slideshow) | Videos (see all 6) |
| Michelle Yeoh | ... | Aung San Suu Kyi | |
| David Thewlis | ... | Michael Aris | |
| Jonathan Raggett | ... | Kim Aris | |
| Jonathan Woodhouse | ... | Alexander Aris | |
| Susan Wooldridge | ... | Lucinda Philips | |
| Benedict Wong | ... | Karma Phuntsho | |
| Agga Poechit | ... | Tan Shwe | |
| Donatienne Dupont | ... | Marie-Laure Aris | |
| Marian Yu | ... | Daw Khin Kyi - the Mother | |
| rest of cast listed alphabetically: | |||
| Flint Bangkok | ... | Nyo Ohn Myint | |
| Guy Barwell | ... | Military Policeman | |
| Sahajak Boonthanakit | ... | Leo Nichols | |
| Antony Hickling | ... | BBC journalist (voice) | |
| William Hope | ... | James Baker | |
| Teerawat Mulvilai | ... | Soldier / Bad News | |
| Victoria Sanvalli | ... | Ma Then | |
| Nay Myo Thant | ... | Win Thein | |
| Danny Toeng | ... | Colonel Than Tun | |
| Dujdao Vadhanapakorn | ... | Nita May | |
| Frank Walmsley | ... | BBC Journalist | |
| Bruce Blain | ... | Party Guest (uncredited) | |
| Paul Brennen | ... | Dr. Jones (uncredited) | |
| Martin John King | ... | Waiter (uncredited) | |
| Akira Koieyama | ... | Japanese Delegate (uncredited) | |
Directed by | |||
| Luc Besson | |||
Writing credits(in alphabetical order) | ||
| Rebecca Frayn | screenplay | |
Produced by | |||
| Andy Harries | .... | producer | |
| Didier Hoarau | .... | line producer | |
| Jane Robertson | .... | line producer: UK | |
| Virginie Silla | .... | producer (as Virginie Besson-Silla) | |
| Jean Todt | .... | associate producer | |
| Luc Besson | .... | producer (uncredited) | |
Original Music by | |||
| Eric Serra | |||
Cinematography by | |||
| Thierry Arbogast | (director of photography) | ||
Film Editing by | |||
| Julien Rey | |||
Casting by | |||
| Raweeporn 'Non' Srimonju | (as Raweeporn 'Non' Jungmeier) | ||
| Fiona Weir | |||
Production Design by | |||
| Hugues Tissandier | |||
Art Direction by | |||
| Gilles Boillot | |||
| Dominique Moisan | |||
| Stéphane Robuchon | |||
| Thierry Zemmour | |||
Costume Design by | |||
| Olivier Bériot | (as Olivier Beriot) | ||
Makeup Department | |||
| Marthe Faucouit | .... | makeup artist: France | |
| Caroline Groves | .... | makeup assistant: UK | |
| Gary Jordan | .... | makeup assistant: UK | |
| Sarah Jane Marks | .... | makeup assistant: UK | |
| Kay Philips | .... | hair stylist: France | |
| Stéphane Robert | .... | key makeup artist (as Stephane Lagadic-Robert) | |
| Nicky South | .... | makeup assistant: UK | |
| Ghislaine Tortereau | .... | makeup department head | |
Production Management | |||
| David Edouard | .... | unit manager assistant: France (as David Broutin) | |
| Olivier Gravenhorst | .... | post-production manager: Scanlab | |
| Marc Guidetti | .... | unit manager | |
| Varillian Gumusel | .... | post-production manager: L.T.C. | |
| David Lemenan | .... | unit manager assistant | |
| Eric Martin | .... | digital grading post-production supervisor: Duboi | |
| Stéphane Martine | .... | digital post-production manager: Duboi | |
| Anchittha Phongchub | .... | production manager: Thailand | |
| Dorothée Santucci | .... | unit manager assistant: France | |
| Agnès Sébenne | .... | head of post-production (as Agnes Berger-Sebenne) | |
| William Trillaud | .... | unit manager assistant: France | |
Second Unit Director or Assistant Director | |||
| Ludovic Bernard | .... | first assistant director | |
| Shanna Besson | .... | director: making of | |
| Christel Bordon | .... | second assistant director | |
| Paul Cathie | .... | second assistant director: UK | |
| Lucie Gratas | .... | third assistant director: France | |
| Ian Hughes | .... | third assistant director: UK (as Ian 'Pebbles' Hughes) | |
| Tippawan Mamanee | .... | second assistant director: Thailand | |
| Julie-Anne Simon | .... | extra third assistant director: France | |
| Charlie Sungkawess | .... | first assistant director: Thailand | |
Art Department | |||
| Nick Ainsworth | .... | graphic artist: UK | |
| Pierre Banoni | .... | dressing props: France | |
| Pascal Chevé | .... | plasterer: France (as Pascal Cheve) | |
| Charlie Clerc | .... | third art director: cg, France | |
| Géraldine Daigremont | .... | second art director: France (as Geraldine Daigremont) | |
| Julien Durguel | .... | set decorator: France | |
| Peter Fentem | .... | dressing props: UK | |
| Amélie Fontana | .... | second art director: Plans, France (as Amelie Fontana) | |
| Julyan Giraux | .... | third art director: set, France | |
| Paulo Gonçalves | .... | second art director: France (as Paulo Goncalves) | |
| Joshua Hartnett | .... | stand-by props: UK (as Josh Hartnett) | |
| Justin Hayzelden | .... | dressing props: UK | |
| Charlie Lynam | .... | art buyer: UK | |
| Cédric Maserati | .... | dressing props: France | |
| Acel Mauge | .... | dressing props | |
| Guy Monbillard | .... | property buyer: France | |
| Jean-Pierre Mossereau | .... | set decoration buyer: France | |
| Olivier Nguyen | .... | property master | |
| Prachya Pitapho | .... | draftsman: Thailand (as Prachya 'Jet Jet' Pitapho) | |
| Scott Rogers | .... | props master: UK | |
| Steve Spence | .... | art director: Thailand | |
| Patrick Tandiang | .... | second art director: drawings, France | |
| Patricia Tissander | .... | property buyer assistant: France | |
| Evelyne Tissandier | .... | set decoration buyer: France (as Evelyne Baussant Tissander) | |
| Sara Wan | .... | set decorator: UK | |
| Jackie Yau | .... | set decorator: UK | |
Sound Department | |||
| Nicolas Bourgeois | .... | assistant sound editor | |
| Marco Casanova | .... | assistant sound editor | |
| Matthieu Dallaporta | .... | sound re-recording mixer | |
| Najib El Yafi | .... | foley editor | |
| Najib El Yafi | .... | sound recordist | |
| Alexandre Hernandez | .... | sound editor | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Didier Lozahic | .... | sound | |
| Florian Penot | .... | assistant foley artist | |
| Jonathan Rimas | .... | vo recordist | |
| Paulin Sagna | .... | boom operator | |
| Ken Yasumoto | .... | sound mixer | |
| Ken Yasumoto | .... | sound | |
| Ken Yasumoto | .... | supervising sound editor | |
Visual Effects by | |||
| Alain Bignet | .... | compositing graphic artist: Duran Duboi | |
| Pierre Billet | .... | in/out technician and system: Duran Duboi | |
| Thibaut Breton | .... | cgi graphic artist: Duran Duboi | |
| Emilien Breuillier | .... | cgi graphic artist: Duran Duboi | |
| Emmanuel Carriere | .... | compositing graphic artist: Duran Duboi | |
| Alain Carsoux | .... | visual effects director: Duran Duboi | |
| Florian Chauvet | .... | visual effects coordinator: Duran Duboi | |
| Philippe Chotard | .... | in/out technician and system: Duran Duboi | |
| Ludovic Davidian | .... | cgi graphic artist: Duran Duboi | |
| Séverine De Wever | .... | visual effects producer: Duran Duboi | |
| Christophe Dehaene | .... | compositing graphic artist: Duran Duboi | |
| Aurélie Delaunuy | .... | in/out technician and system: Duran Duboi | |
| Adrien Garcia | .... | compositing graphic artist: Duran Duboi | |
| Florian Garotte | .... | in/out technician and system: Duran Duboi | |
| Pierre Genin | .... | cgi graphic artist: Duran Duboi (as Pierre-Emmanyel Génin) | |
| Kern Attila Germain | .... | cgi graphic artist: Duran Duboi | |
| David Gourmaud | .... | visual effects editor: Duran Duboi | |
| Jeremy Guetta | .... | scanner operator | |
| Bruno Habbah | .... | compositing graphic artist: Duran Duboi | |
| Yohann Hays | .... | compositing graphic artist: Duran Duboi | |
| Marie Heine | .... | cgi graphic artist: Duran Duboi | |
| Pacini Kevin | .... | visual effects editor | |
| Marc Largier | .... | compositing graphic artist: Duran Duboi | |
| Julien Lasson | .... | compositing graphic artist: Duran Duboi | |
| Guillaume Le Gouez | .... | compositing graphic artist: Duran Duboi | |
| Mathieu Legros | .... | compositing graphic artist: Duran Duboi | |
| Jeremie Leroux | .... | compositing graphic artist: Duran Duboi (as Jér*eacute;mie Leroux) | |
| Antoine Lhouillier | .... | compositing graphic artist: Duran Duboi | |
| Gianni Manno | .... | compositing graphic artist: Duran Duboi | |
| Jean-Francois Michelas | .... | compositing graphic artist: Duran Duboi | |
| Selim Mondzie | .... | cgi graphic artist: Duran Duboi | |
| Fredrik Monteil | .... | compositing graphic artist: Duran Duboi | |
| Emilia Napame | .... | compositing graphic artist: Duran Duboi | |
| Jeremy Oblet | .... | cgi graphic artist: Duran Duboi | |
| Arnaud Ortmann | .... | compositing graphic artist: Duran Duboi | |
| Kevin Paoni | .... | visual effects editor: Duran Duboi | |
| Gregory Peczinka | .... | cgi graphic artist: Duran Duboi | |
| François Pellae | .... | compositing graphic artist: Duran Duboi | |
| Vincent Perzo | .... | compositing graphic artist: Duran Duboi | |
| Jonathan Petit | .... | in/out technician and system: Duran Duboi | |
| Joel Pinto | .... | visual effects supervisor: Duran Duboi | |
| Elisa Pretta | .... | compositing graphic artist: Duran Duboi | |
| Alrik Prevel | .... | compositing graphic artist: Duran Duboi | |
| Isabelle Ramnou | .... | compositing graphic artist: Duran Duboi | |
| Stéphane Richez | .... | cgi graphic artist: Duran Duboi (as Stephane Richez) | |
| Laurent Ripoll | .... | visual effects editor: Duran Duboi | |
| David Sanchez | .... | compositing graphic artist: Duran Duboi | |
| Niranjan Siva | .... | compositing graphic artist: Duran Duboi (as Niralian Sivagurunathan) | |
| Aurélien Grand | .... | retouch and restoration (uncredited) | |
Casting Department | |||
| Marie-Sylvie Caillierez | .... | extras casting: France | |
| Yann Le Boucher | .... | additional extras casting assistant: France | |
| Elodie Percheron | .... | extras casting assistant: France | |
| Supattra 'Pum' Punyadee | .... | casting assistant: Thailand | |
| Alice Searby | .... | casting assistant: UK | |
Costume and Wardrobe Department | |||
| Corinne Bruand | .... | costume designer assistant | |
| Caroline de Tugny | .... | patina & tint | |
| Corrine Dubois | .... | dresser: France | |
| Olivier Jacob | .... | dresser: France | |
| Camille Joste | .... | wardrobe documentation: France | |
| Claudine Lachaud | .... | wardrobe supervisor | |
| Sophie Laleu | .... | dresser: France | |
| Capucine Martin | .... | wardrobe assistant: France | |
| Frédéric Tournant | .... | costumes coordinator: France (as Frederic Tournant) | |
| Nat Turner | .... | costume assistant: UK | |
| Stéphanie Watrigant | .... | dresser: France | |
Editorial Department | |||
| Barbara Albucher | .... | digital grading post-production: Duboi (as Barbara Albucher Serci) | |
| Christian Dutac | .... | grader: L.T.C. | |
| Reginald Gallienne | .... | rushes grader: Scanlab | |
| Grégory Gosse | .... | digital technical supervisor: Duboi | |
| Yseult Huret | .... | additional assistant editor | |
| Lyssia Le Gall | .... | assistant editor | |
| Brice Leclert | .... | coordinator: Duboi | |
| Nadine Makris | .... | additional assistant editor | |
| Danielle Maleville | .... | post-production coordinator: L.T.C. | |
| Rodney Musso | .... | assistant colorist | |
| Fabien Pascal | .... | digital color timer: Duboi | |
| Blanchet Thibaut | .... | assistant editor | |
| Flora Volpelière | .... | additional assistant editor (as Flora Volpeliere) | |
| Chloé Besomi | .... | post-production runner (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | orchestrator (as Geoffrey Alexander) | |
| Nicolas Duport | .... | music recordist | |
| Christophe Guiot | .... | musician: solo violin | |
| Didier Lozahic | .... | music recordist | |
| Alexandre Mahout | .... | music supervisor | |
| Samuel Potin | .... | music editor | |
| Samuel Potin | .... | pro tools operator | |
| Eric Serra | .... | arranger | |
| Eric Serra | .... | music mixer | |
| Eric Serra | .... | music producer | |
| Eric Serra | .... | music recordist | |
| Eric Serra | .... | musician | |
| Eric Serra | .... | orchestrator | |
| Tony Stanton | .... | music librarian | |
| Fabrice Suaré | .... | pro tools operator assistant | |
Thanks | |||
| Gareth Upton | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
Politically, the late eighties and nineties were the most hopeful period in recent history. Throughout the world, especially in Eastern Europe and Latin America but also in Africa and the Far East, dictatorial regimes were giving way to democracy. Activists such as Lech Walesa, Vaclav Havel and Nelson Mandela were exchanging their prison cells for their countries' Presidential Palaces, and it seemed that Burma (I will not call it "Myanmar"), which had been governed by a repressive military junta since 1962, would be the next democratic success story. Opposition to the regime was led by Aung San Suu Kyi, the beautiful and charismatic daughter of a national hero who enjoyed the devoted support of most of her compatriots. It seemed inevitable that "people power" would sweep away the junta, just as it had swept away the Marcos regime in the Philippines and the Communist dictatorships of Eastern Europe.
And yet this did not happen; the Burmese regime succeeded in maintaining its iron grip on power. Perhaps the reason was that, unlike many other tyrannies, it lacked any recognisable ideology beyond an Orwellian vision of "a boot stamping on a human face, forever". Communism collapsed when it became clear that it could not perform its ostensible ideological function, the protection of the economic interests of the working man. This in turn provoked the collapse of right-wing dictatorships like Pinochet's in Chile or Suharto's in Indonesia, which had justified their existence by claiming to defend their countries against Communism. Apartheid collapsed when it became clear that the economic interests of black and white South Africans were so closely intertwined as to make nonsense of the idea of "separate development". Than Shwe's junta, lacking any ideology which could be discredited in this way, could resist the forces of change for as long as it could maintain the loyalty of its troops and its own will to power.
"The Lady" depicts the life of Suu Kyi, known as "the lady" to her followers. It is not a complete biography, as it shows little of her early life, apart from the assassination of her father Aung San when she was three years old. The main action begins in 1988, when she was in her mid-forties and returned to Burma to visit her ailing mother, having previously been living in England with her husband Michael Aris, an Oxford professor. Her visit coincided with an uprising against military rule, which was followed by a brief period of liberalisation. She was persuaded to lead the country's nascent pro-democracy movement, and her party, the National League for Democracy, won a convincing majority in the 1990 parliamentary election. The military, however, refused to recognise the result and reimposed martial law. Suu Kyi was placed under house arrest and all political campaigning was forbidden. The junta seemed quite unmoved by international condemnation; even the award of the Nobel Peace Prize to Suu Kyi in 1993 could not persuade them to release her.
The film was directed by Luc Besson, who was perhaps not the ideal director, as he had previously best been known for making action movies such as "Nikita". He had made a previous biography of a national political heroine, "Joan of Arc", but even there the action scenes are the best thing about the film. It is perhaps therefore unsurprising that "The Lady" is rather slow and ponderous and shows signs of having been made by a director unused to this style of film-making. Visually, however, the film is often attractive, with effective contrasts between the green, tropical lushness of South-East Asia- these scenes were shot in Thailand rather than Burma itself- and the grey stone of Oxford, a city often seen in the snow.
To be fair to Besson, he appears to have been deeply committed to this film, and it is possible that without his commitment it might never have been made. He was fortunate in having a leading lady, Michelle Yeoh, who was just as committed as he was; indeed, it was she who persuaded him to take on the project. Yeoh here gets to show, as she did in "Memoirs of a Geisha", that she is more than just a Bond Girl, more than just a kung-fu action heroine. She has the advantage of bearing a striking resemblance to the woman she is portraying.
Yeoh described the film as "an incredible love story", and the element most emphasised in the film is the relationship between Suu Kyi and her husband, from whom she was separated for many years. She would have been free at any time to leave Burma and rejoin him and their two sons in England, but always refused to do so, knowing that if she ever left the country she would never be permitted to return. David Thewlis as Aris is perhaps even better than Yeoh, playing him as an unworldly academic and devoted family man who nevertheless selflessly insists that his wife remain in Burma, knowing that if she leaves the country this will be a great blow to the pro-democracy movement. His premature death from cancer, possibly brought on or exacerbated by the stress of his situation, is the film's most tragic moment.
Suu Kyi's house arrest has now been lifted and Burma is now ruled by a civilian government, although it remains to be seen whether it will evolve into a genuine democracy; the elections in 2010 were widely denounced as neither free nor fair, and the new government as a mere front for a continuing military dictatorship. The expulsion of Michelle Yeoh from the country last year would suggest that the authorities are still very touchy about criticism. The film, however, performs the valuable service of reminding the world of the problems of a country which was for too long one of the last bastions of tyranny. I certainly preferred it to "The Iron Lady", the other recent biopic of a major female political figure. 7/10