As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
The Mob sets the dancing against the vibrant backdrop of Miami. Emily arrives in Miami with aspirations of becoming a professional dancer and soon falls in love with Sean, a young man who leads a dance crew in elaborate, cutting-edge flash mobs, called "The Mob". When a wealthy business man threatens to develop The Mob's historic neighborhood and displace thousands-of people, Emily must work together with Sean and The Mob to turn their performance art into protest art, and risk losing their dreams to fight for a greater cause. Written by
First film in the series to mention in the credits that events and characters depicted are fictitious. See more »
When Emily first appears in the film at the bar and at the start of her first dance her hair is totally straight. By the end of the dance her hair has totally changed and is very very wavy as if she had curled them with curling tongues for a couple of hours. See more »
I can't just do whatever i want. There are rules.
Break the rules.
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I am shedding my weird, creepy hoody that I hide out with and telling everyone that I am a fan of the Step Up franchise. Yes I'm a little embarrassed and honestly I'm not saying the movies are good but as far as guilty pleasures go they are absolutely divine. With the exception of the first installment which although starred a young sexy Channing Tatum in his first lead role took it self way too seriously to be entertaining. And thats a huge reason why these films work because from it's superior sequel, best of the franchise and one of the best dance movies ever made Step Up 2 The Streets the movies have found this odd balance off fiery kinetic dancing, likable personalities, overly melodramatic and unintentionally funny performances, ferocious cinematography and hammy storytelling that just works. You laugh, you clap and sometimes you tear up at the clichéd and expected finale. This entry fares better than the last which was still pretty damn good. It centers on "The Mob" a dance group of struggling artists looking to make their mark on pop culture by staging creative dance mobs so that they can get 10,000,000 views on you tube and get a hefty $100,000 prize. (which split between the 50 person team isn't very much but I'll let it pass). Anyways he comes in contact with another struggling young dancer whose well not very struggling since her Daddy is a billionaire whose looking to tear down the middle/poor class neighborhood they live in and make it into a huge resort. Enter the film's interestingly semi fleshed out plot as they decide to change their flash mobs from breezy dance numbers to ones with meaning as they protest "The Man" so to speak. Of course their is some third act drama to cause a downward spiral before wrapping it up in the films inspired finale which was in fact inspired by the classic film The Warriors. The dancing is amazing and for the first time in the series they incorporate different styles of dance such as contemporary and modern to successfully winning measures. Kathryn McCormick of So you think you can dance has some crazy sizzle in the lead when it comes to her dancing but her acting is well questionable in the essence of I'm not actually sure that's what she's doing. Slightly more successful and way hotter is MMA fighter Ryan Guzman as the film's thankfully mostly shirtless leading man. He's got the body of a Greek god and the talent when it comes to dancing but hey let's just leave the acting out of this equation. You know there's a problem when the film's best performance dramatically is from Peter Gallagher as her over bearing, greedy Father. And watching the two of them together trying to force some type of connection is akin to watching erasers on a desk facing each other. That being said they are hot and very talented when dancing. And when they are it's fire. And thats basically the film as with the other installments when they try for the drama it's unintentionally funny and it works in a so bad it's good way but when they perform you see the kinetic, addictive energy that makes these films so endearing. 4/5
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