Kenny Wells, a prospector desperate for a lucky break, teams up with a similarly eager geologist and sets off on a journey to find gold in the uncharted jungle of Indonesia.

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Nominated for 1 Golden Globe. Another 1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Michael Acosta (as Edgar Ramirez)
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Kay
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Brian Woolf
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Paul Jennings
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Hollis Drescher
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Lloyd Stanton
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Jeff Jackson
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Scottie Nevins
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Glen Binkert
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Bobby Owens
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Rachel Hill
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Storyline

Kenny Wells, a prospector desperate for a lucky break, teams up with a similarly eager geologist and sets off on a journey to find gold in the uncharted jungle of Indonesia.

Plot Summary | Plot Synopsis

Taglines:

Based on a too good to be true story. See more »


Motion Picture Rating (MPAA)

Rated R for language throughout and some sexuality/nudity | See all certifications »

Parents Guide:

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Details

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Release Date:

27 January 2017 (USA)  »

Also Known As:

Ouro  »

Filming Locations:

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$3,471,316 (USA) (27 January 2017)

Gross:

$7,222,964 (USA) (3 March 2017)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Michelle Williams was cast in the lead role but dropped out. Bryce Dallas Howard replaced her after filming already had begun. See more »

Goofs

When Paul Jennings is shown arriving in Reno to investigate Washoe Mining, he has a big zit on the front right side of his neck. In scenes depicting various pieces of the investigation and interrogation of Wells, which are to have occurred hours later, the blemish is gone. See more »

Quotes

Kenny Wells: The guy who invented the hamburger was smart. But the guy who invented the cheeseburger... Genius.
See more »

Connections

Featured in The 74th Golden Globe Awards (2017) See more »

Soundtracks

This Must Be The Place (Naïve Melody)
Written by David Byrne, Tina Weymouth, Jerry Harrison and Chris Frantz (as Christopher Frantz)
Performed by Kishi Bashi
Courtesy of Joyful Noise Recordings
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User Reviews

 
Gives us little to reason to care until the second act
4 February 2017 | by (arlington, va) – See all my reviews

The problem with "Gold" is that it takes you into an esoteric world (in this case, let's call it "large-scale multi-national gold mining?") without making us care about the intricacies of the topic. Instead, it follows the template laid out in Oliver Stone's "Wall Street" (and that Martin Scorsese bludgeoned to death in "Wolf of Wall Street") of showering the viewer in capitalism porn: Shots of people getting rowdier as visual cues (i.e. graphs going upwards, the stock exchange ringing) show them getting richer and richer. This is a shame because Stephen Gaghan masterfully wove story threads in an Altmanesque manner to tell the story of the global oil crisis.

Perhaps my expectations were high here, but without that effort to make the economics of an economics film engaging ("Big Short" is a better example of this), there's little reason to care about this story. It's just some schlub who looks an awful lot like Christian Bale's character in "American Hustle" (another better film with which this one shares suspicious stylistic similarities) who hits a lucky streak and experiences good things.

In the second half, some twists emerge, including one big blind-siding whopper that is very likely what catapulted the real life story out of obscurity and led to the existence of this film, but by then it's too little too late and there's not really any foreshadowing that makes the big reveal interesting. What's even more frustrating is that what could have made the film palatable was right there in the script. The story is framed around a mysterious interview that McConaughey's character has with either his lawyer or the FBI but this narrative device is employed extremely half-heartedly.

Despite the film's grandiose ambitions, the film is only memorable in the end for a smattering of striking images that don't lead up to more than the sum of their parts: The "Apocalypse Now" allusion of a man coming to terms with his demons in the Southeast Asian jungle, the contrast between the sweetness of Bryce Dallas Howard and the raw ugliness of McConaughey (I'm presuming he gained weight for this part), and the odd homoerotic gaze with which McConaughey shows to Edgar Ramirez's character.


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