A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Written by Faris Adam Derar Badwan, Rhys Timothy Webb, Joseph Patrick Spurgeon, Joshua Mark Hayward, & Tom Furse Cowan
Performed by The Horrors
Courtesy of XL Recordings Ltd.
By arrangement with Beggars Group Media Limited See more »
The ad campaign for TAM gives the impression that it will be, at the very least, a fun romp, but don't be fooled. TAM asks us to sympathize for and laugh with the most deplorable and chauvinistic of characters, like the obnoxious guys in high school who thought they were funny but weren't. Every "joke" is about poop or sex, which can be funny. Here, however, they are so poorly delivered and juvenile it's hard to tell if they were even meant as jokes or just as statements of misguided philosophy. We follow three best friends who decide to call off real relationships in lieu of hooking up with as many women as possible. This tired story and accompanying dialogue are not only uninspired, inauthentic, and stupid, but make no tonal sense here. The drastic jumps from bad sex comedy to melodrama are so clumsy it's hard to know whether to blame the editing, the directing, or the script. Such a shame considering of the waste of young talent. Sure, Teller presents moments of charm, but no one is really given anything of quality to work with. There are a few laughs, but for the most part I couldn't help feeling like I was watching a soon-to-be canceled sitcom. The writers seemed more interested in writing bad one-liners than creating originality or emotional connection between characters. Even my wife, who normally loves anything classified as "romance" and/or "comedy", resorted to playing Candy Crush for the last half. If you're looking for a funny bro-mance, go see Anchorman 2. SKIP THIS!
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