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American Hustle (2013)

 -  Crime | Drama  -  20 December 2013 (USA)
7.4
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Ratings: 7.4/10 from 270,153 users   Metascore: 90/100
Reviews: 701 user | 505 critic | 47 from Metacritic.com

A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild FBI agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and mafia.

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Title: American Hustle (2013)

American Hustle (2013) on IMDb 7.4/10

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Nominated for 10 Oscars. Another 76 wins & 138 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Paco Hernandez / Sheik Abdullah
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Dolly Polito (as Elisabeth Rohm)
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Alfonse Simone
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Irv's Sheik Plant (as Said Taghmaoui)
Matthew Russell ...
Dominic Polito
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Francis Polito
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Storyline

A fictional film set in the alluring world of one of the most stunning scandals to rock our nation, American Hustle tells the story of brilliant con man Irving Rosenfeld (Christian Bale), who along with his equally cunning and seductive British partner Sydney Prosser (Amy Adams) is forced to work for a wild FBI agent Richie DiMaso (Bradley Cooper). DiMaso pushes them into a world of Jersey powerbrokers and mafia that's as dangerous as it is enchanting. Jeremy Renner is Carmine Polito, the passionate, volatile, New Jersey political operator caught between the con-artists and Feds. Irving's unpredictable wife Rosalyn (Jennifer Lawrence) could be the one to pull the thread that brings the entire world crashing down. Written by Sony Pictures Entertainment

Plot Summary | Plot Synopsis

Taglines:

Everyone Hustles To Survive

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language, some sexual content and brief violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

20 December 2013 (USA)  »

Also Known As:

American Bullshit  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$740,455 (USA) (13 December 2013)

Gross:

$150,117,807 (USA) (4 April 2014)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

| (surveillance footage)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The American term "hustle" has no direct translation in many other languages. The studio approved the alternative titles American Bluff in France, American Dream in Israel, American Scandal in Argentina, American Sting in Portugal, and American Scam in Quebec. See more »

Goofs

As the meeting between Victor Tellegio and the Sheik concludes, Tellegio tells Carmen that if they're serious, they'll transfer ten million dollars into an account and gestures with his hands. The camera angle changes and Tellegio repeats the same lines of dialogue with the same hand gestures but Tellegio's speech continues beyond what he said in the first shot, indicating it had been shot from two different cameras but not edited correctly. See more »

Quotes

[first lines]
Richie DiMaso: What are you doing, going behind my back? Telling people I'm screwing up this operation? I got you a suite at the fucking Plaza Hotel.
Irving Rosenfeld: The shittiest suite at the Plaza Hotel.
See more »

Crazy Credits

The film opens with the late 1970s Columbia Pictures logo, as well as 70s-stylized logos for Atlas Entertainment and Annapurna Pictures. See more »

Connections

Referenced in Chelsea Lately: Episode #8.32 (2014) See more »

Soundtracks

I've Got Your Number
Written by Cy Coleman & Carolyn Leigh
Arrangement by Mike Renzi
Performed by Jack Jones
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Don't get conned by the hype.
28 December 2013 | by (United States) – See all my reviews

I could not wait for this movie to end. It was a complete atrocity. The overly-indulgent, sloppy chaos amounted to nothing in terms of character or story. A vague lesson spoon-fed to the audience during the first 20 minutes is I'm guessing what is supposed to excuse the senseless and bumbling bore of a circus for the next 100.

I absolutely do not understand the praise of the acting in this film. I never bought into the actors as their roles, though, honestly, there was not much else holding it together for me. Was there a script? Was there a director??? The entire sad excuse for a film seemed to be the improvised work of the actors themselves contrived in a garage somewhere after a long night of drinking.

I never was really motivated to read into the movie, and I was never really fully engaged or entertained by the shallow antics, long-hanging scenes that go on way too long, or 70's retro-obsession. I'm not sure if I'm supposed to be mesmerized by watching makeup applied to Christian Bale's head or how cool walking into a 70's themed wardrobe would be. It seemed none of the actors could keep their accents. I would never label this as a comedy-- I did laugh from time to time because of how badly I wanted it to be over.

For a respectable story about individuals trying to reinvent themselves please see The Great Gatsby, The Departed, or The Town (and I'm sure there are many more).


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