In 1944 many Germans in Eastern Prussia believed like Lena von Mahlenberg, daughter of a local aristocrat, that Hitler would surrender and spare them from being invaded by the vengeful Russian Red Army. He didn't and they had to flee.
At the Doll House, a 1930's New Orleans bordello, Hallie is the main attraction both for clients and for Jo, the madame. Her comfortable if tedious life is disrupted by the arrival in town ... See full summary »
During the early hours of June 6th 1944 a bloody but victorious offensive took place in occupied Western Europe that would claim thousands of lives. Codenamed 'Operation Overlord' the ... See full summary »
Based on actual events. When the commander of the crew of a B17 Flying Fortress bomber is killed in action in a raid over Sicily in 1943, his replacement, a young naive pilot struggles to ... See full summary »
A harrowing tale of survival centers on Rose, a Masurian woman, whose husband, a German soldier, was killed in the war, leaving her alone on their farm. A single woman had no defense ... See full summary »
The main character Joanna (Urszula Grabowska), waiting in vain for a letter from her husband who is in an Oflag, gives shelter to a little Jewish girl whose mother was caught during a round-up. Thus she becomes burdened with a secret she cannot reveal to anyone, even to her relatives. Joanna knows that she cannot keep Rose with her as she is already under observation, but she fails to find a hiding spot for Rose and is forced to become the lover of a German officer in return for protection. Forced by necessity, she has to cooperate with her enemies, becoming a traitor in the eyes of "her people". The final, symbolic image is suggestive - in a tearful and religious manner - of the fact that sheltering little Roza was Joanna's personal torture referring to Golgotha. However, the deeper meaning of that story is perverse and bitter: hiding the child was even more dangerous because of Joanna's "own people", mutually controlling the patriotic decency. Written by
Overall a good story. Well directed, with great cinematography, cinematography with subdued mood, one that's not detracting from the picture but enriching it.
In few instances however (especially in the opening scenes) the director rushed too much info at the viewer, trying to explain the circumstances, trying to get the story rolling. Instead - the viewer would have been better served having to wait (to delay) the discovery of the few pertaining details that wove to create the story.
After the movie we've met with the director who, despite his broken English, vigorously defended, what most people found to be a gloomy, uninspiring ending. In his own words he viewed it as "open ended ending".
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