An Argentinian Dutch and Latin Comedy Drama where a young naive girl Marcia (Tatiana Saphir) learns about her sexuality. Marcia is kidnapped by 2 punk women Mao (Carla Crespo)& Veronica ... See full summary »
Wedding Planner Mystery follows the exploits of a quirky but lovable event planner who makes murder as fun as can be. Homicide doesn't follow our heroine; she seeks it out. Using her circle... See full summary »
Andrew W. Walker,
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is... See full summary »
Erica's sister Anna is visiting at the same time as the TV program "Antiques cubed" is in town to record at the castle in Fjällbacka. When Anna runs into the TV host for the show, Claes ... See full summary »
Ellen Stenman Göransson
A harrowing tale of survival centers on Rose, a Masurian woman, whose husband, a German soldier, was killed in the war, leaving her alone on their farm. A single woman had no defense ... See full summary »
Rat Fever is the alcohol-drenched story of an unrequited love. The poet Zizo, a pure-bred anarchist, is lost as soon as he meets the sober Eneida. She doesn't mind being his muse, but she ... See full summary »
Isaac, a young yeshiva student, is an only child to born again orthodox parents. Trapped in a dysfunctional family and a failing body, Isaac finds refuge in wandering. Tormented by his ... See full summary »
The main character Joanna (Urszula Grabowska), waiting in vain for a letter from her husband who is in an Oflag, gives shelter to a little Jewish girl whose mother was caught during a round-up. Thus she becomes burdened with a secret she cannot reveal to anyone, even to her relatives. Joanna knows that she cannot keep Rose with her as she is already under observation, but she fails to find a hiding spot for Rose and is forced to become the lover of a German officer in return for protection. Forced by necessity, she has to cooperate with her enemies, becoming a traitor in the eyes of "her people". The final, symbolic image is suggestive - in a tearful and religious manner - of the fact that sheltering little Roza was Joanna's personal torture referring to Golgotha. However, the deeper meaning of that story is perverse and bitter: hiding the child was even more dangerous because of Joanna's "own people", mutually controlling the patriotic decency. Written by
Overall a good story. Well directed, with great cinematography, cinematography with subdued mood, one that's not detracting from the picture but enriching it.
In few instances however (especially in the opening scenes) the director rushed too much info at the viewer, trying to explain the circumstances, trying to get the story rolling. Instead - the viewer would have been better served having to wait (to delay) the discovery of the few pertaining details that wove to create the story.
After the movie we've met with the director who, despite his broken English, vigorously defended, what most people found to be a gloomy, uninspiring ending. In his own words he viewed it as "open ended ending".
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