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After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
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Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by
Sofia Coppola won the 2003 Best Original Screenplay Oscar for "Lost in Translation," which was loosely inspired by her relationship with her then-husband Spike Jonze (played by Giovanni Ribisi in the film). Ten years later, Jonze would win the same award for "Her;" both films star Scarlett Johansson. See more »
The movie is set in Los Angeles. It is filmed in California and China. However, in some of the panoramic shots of the city the traffic is driving on the left side of the road. In both the US and in China, traffic drives on the right side of the road. See more »
"To my Chris. I've been thinking how I could possibly tell you how much you mean to me. I remember when I first started to fall in love with you like it was last night. Lying naked beside you in that tiny apartment - it suddenly hit me that I was part of this whole larger thing. Just like our parents - or our parents' parents. Before that, I was just living my life like I knew everything - and suddenly this bright light hit me and woke me up. That light was you. I ...
[...] See more »
"Steve Zissis....... New Sweet Boyfriend of Mother Who Dated Pricks" See more »
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited See more »
I've been a fan of Spike Jonze's films since I first saw Being John Malkovich. Although the wonderful script deserves some of the credit for making that film so great, it was immediately clear to me that Spike Jonze was a director with a fresh and imaginative perspective. His next film, the 2002 meta-comedy Adaptation, confirmed this with its dry wit and multilayered narrative. Now, after a slightly less successful (but still enjoyable) adaptation of Where The Wild Things Are, Spike Jonze has written and directed his most complete and poignant film yet, Her.
The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves. Theodore happens to see an ad for a new computer operating system that is programmed with a personality, and decides to give it a shot. His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.
It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy. The film radiates warmth and intelligence, and there is a fair amount of witty humor to ensure that it never becomes too self-serious. It has an engaging style similar to that of Sofia Coppola's Lost In Translation. Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.
Beyond the romance though, Her has a lot to say about modern society's obsession with technology. The people in this futuristic vision of Los Angeles walk around talking to their computers and ignoring each other entirely, not unlike people today staring at their cell phones rather than talking to those around them. Needless to say it's not a wildly original message, but it's communicated in a unique enough way that it works.
I've seen Her twice now, and the more I think about it the more I feel that Spike Jonze has crafted the best film of 2013. Her is equally heartfelt and heartbreaking, a deeply personal and thoroughly enjoyable futuristic love story.
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