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Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by
One legacy of Samantha Morton's casting is the name of Theodore's operating system. Both lead female roles take the same name as their lead actresses, Amy from actress Amy Adams and Samantha from Morton, but since she had to be re-cast at the last minute, the OS's name stayed Samantha. See more »
When Theodore's ex-wife signs the divorce papers, the pen she uses changes between shots. See more »
So are you, um... are you seeing anybody?
Yeah, um, I've been seeing somebody for the last few months. Longest I've wanted to be with somebody since we split up.
Well, you seem really good.
Thanks. I, um... at least, I'm doing better. Yeah, she's been really good for me, you know? It's just... it's good to be with somebody that's excited about life. She's a real um...
No. I mean, I wasn't in such a good place myself, and in that way it's been nice.
I think you always wanted ...
[...] See more »
"Steve Zissis....... New Sweet Boyfriend of Mother Who Dated Pricks" See more »
Talk about closing with a bang. Spike Jonze's long-awaited original film about a writer that falls in love with his operating system is not only the best film to play at this year's New York Film Festival; it very well could be the very best film of the year. "Her" is the finest writing and directorial endeavor of Spike Jonze's career. And then there's the towering and crowning work of Academy Award nominee Joaquin Phoenix who proves once again, he's the finest actor working today, hands down. You can't find a more dynamic and compelling story about the human connection and where we're headed as a society.
When "Her" opens up, it snaps you immediately into the story. Phoenix plays Theodore, a writer for a website that makes letters for just about anyone. As he tries to find life during the midst of his divorce from his wife Catherine (played by a beautiful Rooney Mara), Theodore finds solace in a friendship with a new OS (operating system) named Samantha (voiced by Scarlett Johansson). The two develop a relationship in a world where OS's are becoming the norm with society.
Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are." Jonze sets out to tell a story and deliver all the intricate details for us to understand each character. His focus on Theodore, giving him a real sense of loneliness without falling into cliché character ticks and beats that we've seen countless times in other romantic films, Jonze constructs a real man living in a world where technology has taken precedent over human connection.
Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story. Catherine and Theodore's friend Amy, played by the always dependable Amy Adams, both feel genuinely authentic. Mara, who's already delivered one other powerful performance in "Ain't Them Bodies Saints" earlier this year, is finely utilized. She shows once again that she's a true professional, with limited screen time (many in flashbacks); she can staple herself in your memory.
Amy Adams is always the sprinkle on top in all of her films. As "Amy," the awkward friend and neighbor who sympathizes more with Theodore more than she'd like to, Adams expertly executes. With four prior Oscar nominations to her credit, her stunning portrayal is just another fantastic pin to add to her credits. She could find traction during the awards season if the film hits in the right way. That's also part to the petty Oscar rules about rewarding voice performances because if that wasn't the case, Scarlett Johansson would be on stage holding an Oscar of her own next March. As "Samantha," Johansson has never tapped into the essence of her abilities as an actress the way she does in "Her." As an OS, full of wonder and curiosity, "Samantha" is essentially a child. Learning at a rapid rate and studying the behaviors of the human mind, she looks at the world through the eyes of Theodore. Johansson holds our hand in through the tale, even when her voice isn't on screen. This is the type of work that could convince the Board of Governors to rethink the eligibility of an acting performance. This is a masterful work that I'll remember for years to come.
And then there's Joaquin Phoenix...oh, Mr. Phoenix. Fresh off his historic performance in Paul Thomas Anderson's "The Master" just a year ago, I didn't think he could impress me so soon and yet here we are. His sensitive and perceptive take on the role is what films are all about. It's one of the best things that 2013 has offered and a performance that could land him his first Oscar. I think Phoenix himself was impressed with the work he and his colleagues have accomplished. At the press conference, he actually gave an answer to one of the questions from the audience. If anyone was in attendance at the conference for James Gray's "The Immigrant" - a prickly, disengaged Phoenix put on his sunglasses and put the microphone on the floor. This is a performance that you can identify with. He's not simply awkward for the sake of being, he has baggage and connection issues. There's sincerity in his words and mannerisms. A getaway in a cabin, alone but with "Samantha" encapsulates everything about Theodore. Phoenix achieves the impossible and is an instant Oscar contender.
But "Her" isn't just about the writing and performances; it's an all- around technical marvel. Most notably the Production Design of K.K. Barrett, who has worked on "Where the Wild Things Are." Our story takes place in a futuristic (though never said how far ahead) Los Angeles and with shooting overseas, Barrett captures the clout of the city and its inside counterparts. Cinematographer Hoyte Van Hoytema's use of colors and smooth palettes are things of a dream. Affectionately snuggling up to Phoenix as he whispers the sweetness of words to "Samantha" or the sweetness of a new letter at work, Hoytema has quickly become one of my favorite DP's, especially following "Tinker, Tailor, Soldier, Spy" and "Let the Right One In." Arcade Fire and Karen O. are simply magic in their music that accompanies our story about love. A modern yet classical composition that in key scenes could move you to tears.
"Her" is one of the best love stories I've witnessed in some time. Charlie Kaufman will always have the honor of penning my favorite love story of all-time "Eternal Sunshine of the Spotless Mind" but Spike Jonze and "Her" are giving it a true run for the money at the moment. Warner Bros. must know what they have with a limited release in late November; this...
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