The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by
Charlie Kaufman did some uncredited screenwriting on the film. See more »
When Theodore is on the stairs wearing his yellow shirt, the same girl passes him four times. See more »
"To my Chris. I've been thinking how I could possibly tell you how much you mean to me. I remember when I first started to fall in love with you like it was last night. Lying naked beside you in that tiny apartment - it suddenly hit me that I was part of this whole larger thing. Just like our parents - or our parents' parents. Before that, I was just living my life like I knew everything - and suddenly this bright light hit me and woke me up. That light was you. I ...
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"Steve Zissis....... New Sweet Boyfriend of Mother Who Dated Pricks" See more »
Talk about closing with a bang. Spike Jonze's long-awaited original film about a writer that falls in love with his operating system is not only the best film to play at this year's New York Film Festival; it very well could be the very best film of the year. "Her" is the finest writing and directorial endeavor of Spike Jonze's career. And then there's the towering and crowning work of Academy Award nominee Joaquin Phoenix who proves once again, he's the finest actor working today, hands down. You can't find a more dynamic and compelling story about the human connection and where we're headed as a society.
When "Her" opens up, it snaps you immediately into the story. Phoenix plays Theodore, a writer for a website that makes letters for just about anyone. As he tries to find life during the midst of his divorce from his wife Catherine (played by a beautiful Rooney Mara), Theodore finds solace in a friendship with a new OS (operating system) named Samantha (voiced by Scarlett Johansson). The two develop a relationship in a world where OS's are becoming the norm with society.
Jonze's has never been the conventional director as we've seen in his other brilliant efforts "Being John Malkovich" and "Where the Wild Things Are." Jonze sets out to tell a story and deliver all the intricate details for us to understand each character. His focus on Theodore, giving him a real sense of loneliness without falling into cliché character ticks and beats that we've seen countless times in other romantic films, Jonze constructs a real man living in a world where technology has taken precedent over human connection.
Christopher Nolan should take notes from Jonze on the assembling of female counterparts in a story. Catherine and Theodore's friend Amy, played by the always dependable Amy Adams, both feel genuinely authentic. Mara, who's already delivered one other powerful performance in "Ain't Them Bodies Saints" earlier this year, is finely utilized. She shows once again that she's a true professional, with limited screen time (many in flashbacks); she can staple herself in your memory.
Amy Adams is always the sprinkle on top in all of her films. As "Amy," the awkward friend and neighbor who sympathizes more with Theodore more than she'd like to, Adams expertly executes. With four prior Oscar nominations to her credit, her stunning portrayal is just another fantastic pin to add to her credits. She could find traction during the awards season if the film hits in the right way. That's also part to the petty Oscar rules about rewarding voice performances because if that wasn't the case, Scarlett Johansson would be on stage holding an Oscar of her own next March. As "Samantha," Johansson has never tapped into the essence of her abilities as an actress the way she does in "Her." As an OS, full of wonder and curiosity, "Samantha" is essentially a child. Learning at a rapid rate and studying the behaviors of the human mind, she looks at the world through the eyes of Theodore. Johansson holds our hand in through the tale, even when her voice isn't on screen. This is the type of work that could convince the Board of Governors to rethink the eligibility of an acting performance. This is a masterful work that I'll remember for years to come.
And then there's Joaquin Phoenix...oh, Mr. Phoenix. Fresh off his historic performance in Paul Thomas Anderson's "The Master" just a year ago, I didn't think he could impress me so soon and yet here we are. His sensitive and perceptive take on the role is what films are all about. It's one of the best things that 2013 has offered and a performance that could land him his first Oscar. I think Phoenix himself was impressed with the work he and his colleagues have accomplished. At the press conference, he actually gave an answer to one of the questions from the audience. If anyone was in attendance at the conference for James Gray's "The Immigrant" - a prickly, disengaged Phoenix put on his sunglasses and put the microphone on the floor. This is a performance that you can identify with. He's not simply awkward for the sake of being, he has baggage and connection issues. There's sincerity in his words and mannerisms. A getaway in a cabin, alone but with "Samantha" encapsulates everything about Theodore. Phoenix achieves the impossible and is an instant Oscar contender.
But "Her" isn't just about the writing and performances; it's an all- around technical marvel. Most notably the Production Design of K.K. Barrett, who has worked on "Where the Wild Things Are." Our story takes place in a futuristic (though never said how far ahead) Los Angeles and with shooting overseas, Barrett captures the clout of the city and its inside counterparts. Cinematographer Hoyte Van Hoytema's use of colors and smooth palettes are things of a dream. Affectionately snuggling up to Phoenix as he whispers the sweetness of words to "Samantha" or the sweetness of a new letter at work, Hoytema has quickly become one of my favorite DP's, especially following "Tinker, Tailor, Soldier, Spy" and "Let the Right One In." Arcade Fire and Karen O. are simply magic in their music that accompanies our story about love. A modern yet classical composition that in key scenes could move you to tears.
"Her" is one of the best love stories I've witnessed in some time. Charlie Kaufman will always have the honor of penning my favorite love story of all-time "Eternal Sunshine of the Spotless Mind" but Spike Jonze and "Her" are giving it a true run for the money at the moment. Warner Bros. must know what they have with a limited release in late November; this...
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