After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by
During some of the more emotional scenes, Amy Adams would sing songs from famous musicals like "Annie" and "The Rocky Horror Picture Show" in order to cheer herself up. Eventually, Joaquin Phoenix would join in and they would sing together. However, they stopped after they saw Spike Jonze filming them. See more »
When Theodore finds his book in his mailbox, it fits the mailbox's size. When he reads it in his office, the book's size could not fit in the mailbox. See more »
Oh, what do I call you? Do you have a name?
Um... yes. Samantha.
Really? Where did you get that name from?
I gave it to myself actually.
Cause I like the sound of it. Samantha.
When did you give it to yourself?
Well, right when you asked me if I had a name I thought, yeah, he's right, I do need a name. But I wanted to pick a good one, so I read a book called "How to Name Your Baby", and out of a hundred and eighty thousand names that's the one I liked the best.
Wait, you read a whole ...
[...] See more »
"Evelyn Edwards...... Mother Who Dated Pricks" See more »
I've been a fan of Spike Jonze's films since I first saw Being John Malkovich. Although the wonderful script deserves some of the credit for making that film so great, it was immediately clear to me that Spike Jonze was a director with a fresh and imaginative perspective. His next film, the 2002 meta-comedy Adaptation, confirmed this with its dry wit and multilayered narrative. Now, after a slightly less successful (but still enjoyable) adaptation of Where The Wild Things Are, Spike Jonze has written and directed his most complete and poignant film yet, Her.
The story, taking place in a near future when people spend more time talking to their computers than they do to each other, stars Joaquin Phoenix as Theodore Twombly, a lonely man whose job is to write heartfelt personal letters for people not willing to do it themselves. Theodore happens to see an ad for a new computer operating system that is programmed with a personality, and decides to give it a shot. His new operating system Samantha, voiced by Scarlett Johansson, is not only intelligent but also charming and understanding, and she and Theo quickly fall in love.
It's understandable if that premise sounds bizarre on paper, but in execution Her is far more sweet than creepy. The film radiates warmth and intelligence, and there is a fair amount of witty humor to ensure that it never becomes too self-serious. It has an engaging style similar to that of Sofia Coppola's Lost In Translation. Like in that film, there's a certain poetic yet whimsical quality to the dialogue in Her and both the main characters are plagued by feelings of loneliness.
Beyond the romance though, Her has a lot to say about modern society's obsession with technology. The people in this futuristic vision of Los Angeles walk around talking to their computers and ignoring each other entirely, not unlike people today staring at their cell phones rather than talking to those around them. Needless to say it's not a wildly original message, but it's communicated in a unique enough way that it works.
I've seen Her twice now, and the more I think about it the more I feel that Spike Jonze has crafted the best film of 2013. Her is equally heartfelt and heartbreaking, a deeply personal and thoroughly enjoyable futuristic love story.
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