A day-dreamer escapes his anonymous life by disappearing into a world of fantasies filled with heroism, romance and action. When his job along with that of his co-worker are threatened, he takes action in the real world embarking on a global journey that turns into an adventure more extraordinary than anything he could have ever imagined.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend's daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
Theodore is a lonely man in the final stages of his divorce. When he's not working as a letter writer, his down time is spent playing video games and occasionally hanging out with friends. He decides to purchase the new OS1, which is advertised as the world's first artificially intelligent operating system, "It's not just an operating system, it's a consciousness," the ad states. Theodore quickly finds himself drawn in with Samantha, the voice behind his OS1. As they start spending time together they grow closer and closer and eventually find themselves in love. Having fallen in love with his OS, Theodore finds himself dealing with feelings of both great joy and doubt. As an OS, Samantha has powerful intelligence that she uses to help Theodore in ways others hadn't, but how does she help him deal with his inner conflict of being in love with an OS? Written by
Her- Spike Jonze's Prophetic Reflection on Social Isolation and the Dependency on Evolving Technologies is as Sweet as it is Disconcerting
At the heart of every truly great science-fiction film there is an emphasis on character that aims to reflect on some element of the human condition usually intended to open our minds to thought provoking predictions or eerily warn of an impending reality. We've seen numerous examples of these contemplative films throughout the very existence of cinema stemming all the way back to Fritz Lang's haunting futuristic piece Metropolis and has inspired countless others in its thoughtful wake as seen in memorable cinematic creations such as Ridley Scott's Blade Runner, Andrei Tarkovsky's Stalker, and even Duncan Jones' Moon. Never to be a director to back away from experimental presentation or psychological study, Spike Jonze's Her fully embraces this reflective science-fiction quality by peering into the deep sociable aspects of the human psyche giving us more of a prophetical reality than a fictional reflection. In his latest film Jonze creates a disconcerting yet equally endearing romance between a secluded depressive and his female operating system with an evolving consciousness, basically a HAL-9000 homage from Stanley Kubrick's 2001: A Space Odyssey, that brings to light a commentary on our dependency of programmed living and our need to maintain sociability when direct communication avenues have been stricken from life's normality. Rarely do ambitious films meet idyllically with their inquisitive potential, but Jonze has fashioned a delicately profound science-fiction contemplation that is depicted through the thoughtfulness of character alone that brims with wry humor, authentic pain, and charming revelation. Through the use of beautiful cinematography, impeccable production design, and subtle yet evocative performances, Her becomes a multilayered film experience where its character study of an isolated man afraid to become vulnerable again blends harmoniously with a truly unconventional yet naturally heartfelt romance. Jonze's affinity and ambition for presenting psychological challenges, as he has done before with Being John Malkovich, Adaptation, and especially in Where the Wild Things Are, finally collides with emotionally piercing conveyance within Her making it as thought provoking and as it is undeniably sweet. If the sole purpose of the science-fiction genre is to expound on societal, moral, and deeply psychological aspects of our human condition than Her fits soundly within that genre's capabilities by capturing our condition's essential need for sociability and love uncomfortably linking it with our antisocial dependency on technology.
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