A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
Can't get enough of movies and television shows that scare up a good fright? Check out Scary Good, IMDb's Horror Entertainment Guide. Being terrified was never so much fun.
A socially awkward teenage math prodigy finds new confidence and new friendships when he lands a spot on the British squad at the International Mathematics Olympiad.
A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.
Director:
Maya Forbes
Stars:
Mark Ruffalo,
Zoe Saldana,
Imogene Wolodarsky
Teenager Rick Stevens has a crush on Nina Pennington. They form a friendship and embark on a rock n' roll journey together while Nina deals with her overbearing boyfriend, Kevin.
High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
Two strangers stuck in Manhattan for the night grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
A chance encounter between a disgraced music-business executive and a young singer-songwriter new to Manhattan turns into a promising collaboration between the two talents.
After an all night adventure, Quentin's life-long crush, Margo, disappears, leaving behind clues that Quentin and his friends follow on the journey of a lifetime.
A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
A grieving father in a downward spiral stumbles across a box of his recently deceased son's demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.
When Josh stands up his father, Sam, they were to meet at "the Belle." Sam is waiting at the Belle Isle Brewery in Oklahoma City. Later, Sam orders a double whiskey in the Blue Belle in Guthrie Oklahoma. Tom Mix once bartended at the Blue Belle. See more »
Goofs
After Emily leaves Josh's things for Sam and he refuses to take them on his boat, he goes back to the boat and starts eating a sandwich with lettuce. He looks back to Josh's things and when the scene cuts back, there is no lettuce on the sandwich. See more »
Quotes
Quentin:
You know, I don't get the appeal of fishing.
Sam:
Really. Well, I would imagine that most activities performed in silence don't make much sense to you.
See more »
Sam (Billy Crudup) is a fast-talking, fast-living advertising exec, whose busy schedule and constant wheeling-and-dealing resulted in the dissolution of his marriage. He still has a good relationship with his college-age son, Josh, but when a campus shooting incident claims the boy's life, Sam copes with the tragedy by drinking away his job, his car, and his condo.
Fast forward a couple of years, and Sam is living on a houseboat docked a few hours away from his hometown, painting houses and drinking away his days on a seemingly infinite bender. The cycle is interrupted by the sudden appearance of his ex-wife (Felicity Huffman), who unloads Josh's old guitar and a box of demo recordings - music was always "Josh and Sam's thing," and she needs the reminders out of the house before she's able to move on.
Listening to Josh's songs and thumbing through journals full of lyrics, Sam finds himself with an understanding of his late son that he never had when the boy was alive. He begins learning to play each of the tunes, and feels compelled to pop in for an open mic night at the local watering hole and try one of Josh's songs in front of an audience. This catches the attention of Quentin (Anton Yelchin), a fidgety, socially awkward musician who connects with the haunted quality of the songwriting and convinces Sam to form a band.
Sam reluctantly agrees, never admitting that he didn't actually write any of the material, and what begins as a duo quickly transforms into a four-piece that includes a pair of Yelchin's fellow collaborators (played by real-life indie musicians Ben Kweller and Ryan Dean). Christened "Rudderless," the band begins to garner a strong local following he finds himself swept up in the joy of playing music, with no regard for the consequences that may come when his secret is inevitably found out.
Crudup gives his best performance since Almost Famous, even channeling Russell Hammond in a few of the music sequences, but it's his chemistry with Yelchin that drives the film. The growing bond between Sam and Quentin is a thinly-disguised parallel for Sam's lost relationship with Josh, but truth be told, Quentin needs Sam's guidance and friendship even more than Sam needs him. As Laurence Fishburne's ultra-hip music store owner says at one point, "It's great, what you're doing for that boy."
Marking the directorial debut of William H. Macy, who also appears in a minor role as a bar owner, Rudderless spends its first two acts as a rousing, feel-good affair about discovering (or in Sam's case, rediscovering) passion and purpose. The original songs from Simon Steadman, Charlton Pettus, and Ben Limpic are incredibly catchy, and Macy does a superb job of filming the live performances, imparting several clever techniques that showcase the band's increasing popularity.
But he also handles the weightier, more emotional moments just as deftly, including a startling revelation at the beginning of the third act that forces the audience to completely re-evaluate their feelings about Sam's decisions. The jarring shift in tone may lose some audience members who feel that Macy is stretching the script's credibility, but most will likely understand the intent behind such a choice. But even with the abrupt left turn, Rudderless remains an uplifting and emotional first outing from Macy, and one of my favorite films of the year.
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Sam (Billy Crudup) is a fast-talking, fast-living advertising exec, whose busy schedule and constant wheeling-and-dealing resulted in the dissolution of his marriage. He still has a good relationship with his college-age son, Josh, but when a campus shooting incident claims the boy's life, Sam copes with the tragedy by drinking away his job, his car, and his condo.
Fast forward a couple of years, and Sam is living on a houseboat docked a few hours away from his hometown, painting houses and drinking away his days on a seemingly infinite bender. The cycle is interrupted by the sudden appearance of his ex-wife (Felicity Huffman), who unloads Josh's old guitar and a box of demo recordings - music was always "Josh and Sam's thing," and she needs the reminders out of the house before she's able to move on.
Listening to Josh's songs and thumbing through journals full of lyrics, Sam finds himself with an understanding of his late son that he never had when the boy was alive. He begins learning to play each of the tunes, and feels compelled to pop in for an open mic night at the local watering hole and try one of Josh's songs in front of an audience. This catches the attention of Quentin (Anton Yelchin), a fidgety, socially awkward musician who connects with the haunted quality of the songwriting and convinces Sam to form a band.
Sam reluctantly agrees, never admitting that he didn't actually write any of the material, and what begins as a duo quickly transforms into a four-piece that includes a pair of Yelchin's fellow collaborators (played by real-life indie musicians Ben Kweller and Ryan Dean). Christened "Rudderless," the band begins to garner a strong local following he finds himself swept up in the joy of playing music, with no regard for the consequences that may come when his secret is inevitably found out.
Crudup gives his best performance since Almost Famous, even channeling Russell Hammond in a few of the music sequences, but it's his chemistry with Yelchin that drives the film. The growing bond between Sam and Quentin is a thinly-disguised parallel for Sam's lost relationship with Josh, but truth be told, Quentin needs Sam's guidance and friendship even more than Sam needs him. As Laurence Fishburne's ultra-hip music store owner says at one point, "It's great, what you're doing for that boy."
Marking the directorial debut of William H. Macy, who also appears in a minor role as a bar owner, Rudderless spends its first two acts as a rousing, feel-good affair about discovering (or in Sam's case, rediscovering) passion and purpose. The original songs from Simon Steadman, Charlton Pettus, and Ben Limpic are incredibly catchy, and Macy does a superb job of filming the live performances, imparting several clever techniques that showcase the band's increasing popularity.
But he also handles the weightier, more emotional moments just as deftly, including a startling revelation at the beginning of the third act that forces the audience to completely re-evaluate their feelings about Sam's decisions. The jarring shift in tone may lose some audience members who feel that Macy is stretching the script's credibility, but most will likely understand the intent behind such a choice. But even with the abrupt left turn, Rudderless remains an uplifting and emotional first outing from Macy, and one of my favorite films of the year.