| María Valverde | ... | Babi | |
| Mario Casas | ... | Hache | |
| Clara Lago | ... | Gin | |
| Álvaro Cervantes | ... | Pollo | |
| Marina Salas | ... | Katina | |
| Nerea Camacho | ... | Daniela | |
| Diego Martín | ... | Alejandro | |
| Andrea Duro | ... | Mara | |
| Manu Fullola | |||
| Antonio Velázquez | ... | Serpiente | |
| Lucho Fernández | ... | Chino (as Luis Fernández) | |
| Cristina Plazas | ... | Madre Babi | |
| Ismael Martínez | ... | Marcelo | |
| Carme Elias | ... | Madre Hache | |
| Andrew Tarbet | |||
| Pere Brasó | |||
| Joan Crosas | ... | Padre Hache | |
| Laia Costa | ... | Chica Serpiente | |
| Jordi Bosch | ... | Claudio | |
| Carles Francino | |||
| Joan Carles Suau | |||
| Ferran Vilajosana | ... | Luque | |
| Isabel Llanos | ... | Invitada fiesta | |
| Albert Suárez |
Directed by | |||
| Fernando González Molina | |||
Writing credits(in alphabetical order) | ||
| Federico Moccia | book | |
| Ramón Salazar | ||
Produced by | |||
| Josep Amorós | .... | line producer | |
| Juan Carlos Caro | .... | delegate producer | |
| Mercedes Gamero | .... | producer | |
| Eneko Gutiérrez | .... | delegate producer | |
| Francisco Ramos | .... | producer | |
| Francisco Ramos | .... | production executive | |
Original Music by | |||
| Manel Santisteban | (original music by) | ||
Cinematography by | |||
| Xavi Giménez | |||
Film Editing by | |||
| Irene Blecua | |||
| Verónica Callón | (segments) | ||
Casting by | |||
| Andrés Cuenca | |||
| Luis San Narciso | |||
Art Direction by | |||
| Patrick Salvador | |||
Makeup Department | |||
| Jesús Martos | .... | makeup artist | |
| Lola Martínez | .... | make-up and hair assistant | |
Production Management | |||
| Lola Fernández Escalera | .... | controller | |
| Jordi Herreros | .... | assistant unit manager | |
| Marc Pey | .... | production team | |
Art Department | |||
| Jun Matsuura | .... | storyboard artist | |
| Marina Pozanco | .... | assistant art director | |
| Eva Torres | .... | decoration | |
| Lautaro Zabala | .... | set dresser | |
Sound Department | |||
| David Calleja | .... | sound re-recording mixer | |
| Miguel Calvo | .... | adr assistant | |
| Marta Durruti | .... | boom operator | |
| Álex F. Capilla | .... | foley artist | |
| Dani Fontrodona | .... | sound | |
| Erik T. Jensen | .... | adr assistant | |
| Álvaro López-Arregui | .... | supervising sound editor | |
Stunts | |||
| Gonzalo Hernández | .... | assistant stunt coordinator | |
| Antonio Higueruelo | .... | stunts coordinator | |
| Juan Antonio del Fresno | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| David Acereto | .... | camera operator: "a" camera | |
| Oriol Busquets | .... | focus puller: b camera | |
| Edu Canet | .... | video assistant | |
| Óscar Cano | .... | grip | |
| Juan Carlos Moreno | .... | second unit: key grip | |
| Francesc Carreras | .... | first assistant | |
| Beatriz Delgado | .... | camera operator: "b" camera | |
| Beatriz Delgado | .... | second assistant camera | |
| Roberto Escudero | .... | electrician | |
| Llúcia Faraig | .... | still photographer | |
| Javier González Leonardo | .... | key grip | |
| Peque Griffin | .... | steadicam operator | |
| José Ángel Manrique | .... | best boy grip | |
| Albert Pascual | .... | director of photography: second unit | |
| Raúl Peña | .... | electrician | |
| José Luis Rodríguez | .... | gaffer | |
| Àlex Sans | .... | second assistant camera operator: "b" camera | |
| Iban Sarabia | .... | camera trainee | |
| Andrea Sierra | .... | video assistant: second unit | |
| Eric Solé | .... | additional electrician | |
| Álvaro Solís | .... | steadicam assistant | |
Costume and Wardrobe Department | |||
| Desirée Guirao | .... | costume assistant: daily | |
| Anna Izquierdo | .... | set costumer | |
Editorial Department | |||
| Noemí Dulau | .... | digital intermediate colorist | |
| Paulino Fernández Ibáñez | .... | digital intermediate colorist | |
| Lara Isabel Gómez | .... | making-of editor | |
Music Department | |||
| Roberto Herrador | .... | assistant music engineer | |
| Javier Liñán | .... | musical advisor | |
| Iván Martínez Lacámara | .... | composer: additional music | |
| Iván Martínez Lacámara | .... | music programmation | |
| Olga Santos | .... | music recording and mixing assistant | |
| Juan Tomás Tello | .... | musical advisor | |
| José Vinader | .... | score recording & mixing | |
Other crew | |||
| Juan Antonio Agulló | .... | script supervisor second unit | |
| Glòria Blanes | .... | script supervisor | |
| Maria Contreras | .... | development executive | |
| Ana Domínguez | .... | production coordinator | |
| Sofía Fábregas | .... | development executive | |
| Jaume Jordana | .... | location manager | |
| Samantha López | .... | marketing director | |
| Mar Fuentes Porto | .... | production staff | |
| Martin Samper | .... | making-of director | |
| Recent Posts (updated daily) | User |
|---|---|
| could someone make English subtitles for the movie? | szucs-eva-24 |
| A bit disturbing | aleksandarsk |
| Car scene with Babi | brianagirl2002 |
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| El libro talonario | The Secret in Their Eyes | Cell 211 | The Skin I Live In | Wrinkles |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Spain section |
If the first movie was an awful "rebel without cause" movie, what can you do if the main character is no longer a rebel? This is a redemption film and, to be honest, that kind of stuff gives the chance to introduce a lot of dramatic and cry making content. But this film has a problem that shares with the first movie, and it's that when the film tries to be serious is when it absolutely fails. Not the plot, neither the characters or the story itself have the capacity to make the spectator anything more than a laugh (you will find out yourself doing more than one face palm with some of the scenes of this movies).
The main character starred by Mario Casas is better in this film than in the first one. He has growed up and his personality is deeper. Mario isn't a superb actor, but he has charisma and he tries his best in order to show different sensations and the result is better than I expected.
Continuing with the girls, Clara Lago, a Spanish revelation who can be seen in a lot of movies in this last years has a great chance to show her acting skills with her character, Gin, but, I'm sorry, she doesn't make the cut. She isn't convincing in the most dramatic scenes, and, this is my opinion, she isn't as cute as some people is trying to convince us. Her character isn't believable at all. The other female main character, Babi, starred by Spanish star Maria Valverde is just, OK, average, well done. Maria makes a plain performance, with the automatic pilot enabled, but she's such a star that even without making an effort steals your attention.
In conclusion, this film is OK if you are only trying to watch a Barely entertaining film in which you can find a bit of romance, fight, friendship, adventure... but don't expect anything more. I should recommend it to every Spanish teenager girl who love Mario Casas and still dream with the bad-ass guy that can be changed with their love.