| Bill Nighy | ... | Johnny Worricker | |
| Rachel Weisz | ... | Nancy Pierpan | |
| Tom Hughes | ... | Ralph Wilson | |
| Michael Gambon | ... | Benedict Baron | |
| Judy Davis | ... | Jill Tankard | |
| Rakhee Thakrar | ... | Muna Hammami | |
| Saskia Reeves | ... | Anthea Catcheside | |
| Ewen Bremner | ... | Rollo Maverley | |
| Felicity Jones | ... | Julianne Worricker | |
| Richard Lintern | ... | Max Vallance | |
| Holly Aird | ... | Anna Hervé | |
| Andrew Cleaver | ... | Brian Lord | |
| Kate Burdette | ... | Allegra Betts | |
| Ralph Fiennes | ... | Alec Beasley | |
| Alice Krige | ... | Emma Baron | |
| Rory Morrison | ... | Radio Newsreader | |
| Aisling Loftus | ... | Melissa Legge | |
| Bruce Myers | ... | Joseph Pierpan | |
| Surendra Kochar | ... | Mrs. Ashanti | |
| Charlotte Green | ... | Radio Newsreader | |
| Marthe Keller | ... | Leona Chew | |
| Bijan Daneshmand | ... | Cambridge Don | |
| Jay Benedict | ... | Master of the College | |
| James McArdle | ... | Ted Finch (as James Mcardle) | |
| Kriss Dosanjh | ... | Mini Cab Driver | |
| Hywel Morgan | ... | Priest (as Hwyel Morgan) | |
| rest of cast listed alphabetically: | |||
| Pippa Andre | ... | Receptionist (uncredited) | |
| Dixie Arnold | ... | Dinner Guest (uncredited) | |
| Greg Bennett | ... | Civil Servant (uncredited) | |
| Ken Birk | ... | Hotel Receptionist (uncredited) | |
| Billie Holiday | ... | Herself (archive footage) (uncredited) | |
| Simon Steggall | ... | VIP Dinner Guest (uncredited) | |
| Robert Toretto | ... | Italian Waiter (uncredited) | |
| Lester Young | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| David Hare | |||
Writing credits | ||
| David Hare | (written by) | |
Produced by | |||
| Rosie Alison | .... | co-producer | |
| David Barron | .... | producer | |
| Celia Duval | .... | co-producer | |
| Rebecca Eaton | .... | executive producer | |
| David Heyman | .... | producer | |
| Christine Langan | .... | executive producer | |
| Gareth Neame | .... | executive producer | |
| Bill Nighy | .... | executive producer | |
| Scott Rudin | .... | executive producer | |
Original Music by | |||
| Paul Englishby | |||
Cinematography by | |||
| Martin Ruhe | (camera) | ||
Film Editing by | |||
| Jinx Godfrey | |||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Cristina Casali | (design) | ||
Art Direction by | |||
| Andrea Matheson | |||
Set Decoration by | |||
| Sara Wan | |||
Costume Design by | |||
| Julian Day | |||
Makeup Department | |||
| Zoe Brown | .... | make up/hair artist | |
| Tina Earnshaw | .... | makeup designer | |
| Jane Oginsky | .... | makeup artist | |
| Wakana Yoshihara | .... | make up/hair artist | |
Production Management | |||
| Gavin Milligan | .... | unit manager | |
| Sharon Moran | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Heidi Gower | .... | third assistant director | |
| Martin Harrison | .... | assistant director | |
| Chris Stoaling | .... | second assistant director | |
| Dan Winch | .... | additional first assistant director (uncredited) | |
Art Department | |||
| Laura Barnes | .... | graphics designer | |
| Jonathan Downing | .... | props | |
| Rebecca Milton | .... | assistant art director | |
| John Palmer | .... | props | |
| Sophie Phillips | .... | prop buyer | |
| Allen J. Polley | .... | property master (as Allen J Polley) | |
| Elliott Polley | .... | trainee prop | |
| Darren Reynolds | .... | props | |
| Mark Reynolds | .... | props | |
| Joe Withers | .... | stand-by art director | |
| Rob Anderson | .... | construction coordinator (uncredited) | |
| Rob Anderson | .... | construction manager (uncredited) | |
| Kelvin Cook | .... | dressing props (uncredited) | |
| Rohan Harris | .... | scenic artist (uncredited) | |
Sound Department | |||
| Graham Headicar | .... | sound effects editor | |
| Richard Jay | .... | boom operator | |
| Gideon Jensen | .... | boom operator | |
| Martin Jensen | .... | sound re-recording mixer | |
| Billy Quinn | .... | sound mixer | |
| Matthew Skelding | .... | dialogue editor (as Matt Skelding) | |
| Philip Clements | .... | foley editor (uncredited) | |
| Andie Derrick | .... | foley artist (uncredited) | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Catherine Thomas | .... | foley editor (uncredited) | |
| Catherine Thomas | .... | foley recordist (uncredited) | |
Visual Effects by | |||
| Dolores McGinley | .... | digital effects artist (uncredited) | |
Camera and Electrical Department | |||
| Natasha Back | .... | second assistant camera (as Tasha Back) | |
| Simon Baker | .... | Steadicam operator | |
| Tim Battersby | .... | first assistant camera | |
| Pete Cavaciuti | .... | steadicam (as Peter Cavaciuti) | |
| Carlos De Carvalho | .... | additional photography | |
| Carlos De Carvalho | .... | second camera | |
| Neil Gray | .... | digital imaging technician | |
| Mark Jones | .... | grip | |
| Mark Jones | .... | grip | |
| Dave Sherman | .... | electrician | |
| Laurie Sparham | .... | stills photographer | |
| Julian White | .... | lighting gaffer | |
| Susanne Willett | .... | electrician | |
| Matt Wilson | .... | best boy | |
| Steve Fitzpatrick | .... | h.o.d. rigger (uncredited) | |
| Amanda Maister | .... | camera trainee (uncredited) | |
| Daniel McCole | .... | electrician: dailies (uncredited) | |
| Julian Perrin | .... | electrician (uncredited) | |
| Craig Shiels | .... | grip assistant (uncredited) | |
| Alex Teale | .... | camera trainee: dailies (uncredited) | |
| Kieran Waites | .... | trainee electrician (uncredited) | |
Casting Department | |||
| Ruth Key | .... | casting associate | |
Costume and Wardrobe Department | |||
| Shahida Day | .... | costume supervisor (as Shaida Day) | |
| Jane Marcantonio | .... | costume | |
| Anna Reynolds | .... | costume | |
Editorial Department | |||
| Mark Keady | .... | assistant editor | |
| Mandy Miller | .... | post-production paperwork | |
| Sion Penny | .... | on-line editor (as Penny Siôn) | |
| Asa Shoul | .... | colorist | |
Music Department | |||
| Lewis Jones | .... | pro tools recordist (uncredited) | |
| Lewis Morison | .... | synthesizer programmer (uncredited) | |
| Nick Wollage | .... | score engineer & mixer (uncredited) | |
Transportation Department | |||
| Trevor Atkin | .... | unit driver | |
| Derek McPhail | .... | driver: Rachel Weisz | |
| Simon Burgess | .... | facilities department (uncredited) | |
| Bill Walker | .... | driver: cast (uncredited) | |
Other crew | |||
| Kinda Akash | .... | titles | |
| Romley Davies | .... | publicist | |
| Andrew Gow | .... | assistant: David Hare | |
| Kimberley Hikaka | .... | production executive: Carnival Films | |
| Tom Howard | .... | locations | |
| Robert McDonald | .... | location accountant | |
| Sylvia Parker | .... | script supervisor | |
| Karen Smith | .... | location manager | |
| Samuel Smith | .... | production secretary | |
| Dianne Twiddy | .... | production accountant | |
| Ed Wethered | .... | development editor: BBC | |
| Joshua Benedetti | .... | location scout (uncredited) | |
| Hannah Boschi | .... | runner (uncredited) | |
| Hannah Boschi | .... | unit medic (uncredited) | |
| Vito Bruno | .... | floor runner (uncredited) | |
| Patrick Burrows | .... | second unit: location manager (uncredited) | |
| Kya Garwood | .... | stand-in: Rachel Weisz, Felicity Jones (uncredited) | |
| Tom Horn | .... | floor runner (uncredited) | |
| Jessamine Hugill | .... | production assistant (uncredited) | |
| Justin Pollard | .... | researcher (uncredited) | |
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| Johnny English | The Ghost Writer | The Life and Death of Colonel Blimp | The MacKintosh Man | Love Actually |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Bill Nighy really could be turning into this generation's David Niven - with a more world-weary edge, mind you, but he has an immense charm without any swarm, and puts it to excellent use in Page Eight. He plays a civil servant and security analyst coming to the end of his career in the upper echelons of Whitehall who discovers that politics and war are not honourable affairs.
With an outstanding cast and an intelligent plot this remains a thriller - but one without the usual resort to unlikely battles and chases - it is very British, both in its tone and in its look - and what we get is a very nice thriller indeed.
If you like 60s cold war spies movies, and want a break from the Bourne type, then this will fit the bill very nicely. Intelligent, beautifully paced and acted, and all in all a nice break from action films to something more purposeful and, really, a satisfying watch.