On the first day of shooting, James Franco, David Shields and Caleb Powell throw out the script when a real life argument breaks out between the three of them about what can and can't be ... See full summary »
A dispossessed, violent man's life is a disastrous attempt to exist outside the social order. Successively deprived of parents and homes and with few other ties, Ballard descends to the level of a cave dweller as he falls deeper into crime and degradation.
The trouble with close-ups of two men eating lunch and discussing Sal Mineo's upcoming film is that we don't get much more than two men shoveling food in their mouths. I don't know why director Franco was so locked in to the close-up. Or why we get so much footage of Sal Mineo driving through LA in his Chevy Malibu. Without any dialog or view out the window, this is downright boring. The accompanying torch song (Pink Flamingos?) on the sound track was so loud I had to cover my ears. As for period authenticity, someone should have checked the script: in 1976 people did not use the expression, "You're good to go." - not even the nurse as the health clinic.
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