In January 1945, during the 2nd world-war, the Dutch resistance kills a collaborator in the street where the 12 year old Anton Steenwijk lives. The man was shot in front of his neighbors ... See full summary »
Derek de Lint,
Marc van Uchelen,
Monique van de Ven
In July 1976, an Air France flight from Tel-Aviv to Paris via Athens was hijacked and forced to land in Entebbe, Uganda. The Jewish passengers were separated and held hostage in demand to ... See full summary »
A Secret Service Agent is held captive in the trunk of a car and endures mental and physical torture as terrorists attempt to extract information for their plot against the President of the United States.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his son.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
A documentary on the subject would be a better watch. Poor.
L'assaut is a French film based on the true events that occurred in 1994 when Air France Flight 8969 was hijacked by the 'Armed Islamic Group' at Algiers with the supposed intention of crashing in Paris. What should be a gripping and emotionally charged film plays more like a ploddingly dull TV drama. Attempts to breathe life into the central character 'Thierry', the leader of a special ops team assigned to the case, come off as more token than genuine as we're served a brief back-story and glimpse into his troubled world which includes an unhappy wife and a cute toddler who frequently asks where Daddy is. With a tight running time of just 87mins, the film doesn't waste any time getting to the actual hijacking, but once there seems to wander off on cul-de-sac sub- plots while showing scenes including characters we're not terribly interested in or invited to get to know. Considering the hostages endured a two-day ordeal at the hands of the hijackers, the film spends very little time exploring the mood on the plane in favour of amping up the testosterone for a criminally underwhelming climax. The inclusion of actual news footage of the real life events adds a sense of genuine interest but only to the point whereby you wish you were watching a documentary about the situation as opposed to a half baked dramatisation of it. Aesthetically, the film has a washed out look where colours are all but drained to black and white which in a better film might have some effect, but here it just seems to mirror how flat the screenplay is. Given that the films content is so flawed, the choice to shoot in the same shaky-cam documentary style as Paul Greengrass' United '93 inevitably draws unfavourable comparisons. While in the real world these dramatic events were to foreshadow the tragedy of 9/11, as a piece of film, this telling of those events lives deep in the shadow of United '93.
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