Directed by | |||
| Marcus Viner | |||
Produced by | |||
| Vicki Betihavas | .... | producer | |
| Stephen Carsey | .... | executive producer | |
| Kit Hawkins | .... | producer | |
Original Music by | |||
| Ronan Hardiman | |||
Cinematography by | |||
| Nick Wheeler | |||
Film Editing by | |||
| Tom Palliser | |||
Production Management | |||
| Simon Fisher | .... | production manager | |
| Ken McNeil | .... | post production manager | |
Visual Effects by | |||
| Kommer Kleijn | .... | lead stereographer | |
Camera and Electrical Department | |||
| Michael Flax | .... | convergence puller | |
| Felix Forrest | .... | steadicam operator | |
| Kevin French | .... | technocrane operator | |
| Dominic Jackson | .... | steadicam operator | |
| Sam Keogh | .... | camera operator | |
| Alan Lennox | .... | steadicam operator | |
| Fionn McGiollachuda | .... | technocrane operator | |
| Phil Pearce | .... | focus puller | |
| Johnathon Reeve | .... | stereoscopic consultant | |
| John Simmons | .... | camera operator | |
| Joe Steel | .... | digital imaging technician | |
| Garath Whyte | .... | data wrangler | |
| Simon Wood | .... | steadicam operator | |
Editorial Department | |||
| Joachim Goetz | .... | colorist | |
| Johnathon Reeve | .... | digital dailies | |
| Adrian Saywell | .... | on-line editor | |
Other crew | |||
| Niall Conroy | .... | runner | |
| Adam Sculthorp | .... | stereographer | |
| Gord Ventura | .... | post production co-ordinator | |
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| Hairspray | The Liberty of Norton Folgate | One Little Step | Songcatcher | Routes: Dancing to New Orleans |
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| Full cast and crew | Company credits | External reviews |
| IMDb Musical section | IMDb UK section |
The 3-D is lame....and it's very dated. Aging folks trying to reclaim the magic....just doesn't work. Even when they "sex-up" the women's costumes, it detracts....and the enthusiasm just isn't there. With all the pyro-techniques....the dancing isn't really uplifting. Even Flatley's violinists look like they're phoning it in with "Milly-Vinilly" tracks...and Michael playing the flute....not. Hiring the guy who's shorter than Flatley to play the evil villain...not inspiring. If you've seen it on PBS..you've seen it all. Rerunning something that old dates it to the extreme. Flatley is talented but the rest...just seem exhausted. Even the audience didn't fully do standing ovation. If it's time to retire an old warhorse....retire it with good memories...not this. It's not as bad as "Michael Jackson's This is it.." but is a close 2nd.