A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
The greatest Olympic Wrestling Champion brother team joins Team Foxcatcher led by multimillionaire sponsor John E. du Pont as they train for the 1988 games in Seoul - a union that leads to unlikely circumstances.
John has lost all his money. He sits outside a diner in the desert when Sydney happens along, buys him coffee, then takes him to Reno and shows him how to get a free room without losing ... See full summary »
Paul Thomas Anderson
Philip Baker Hall,
John C. Reilly,
During the psychedelic 60s and 70s Larry "Doc" Sportello is surprised by his former girlfriend and her plot for her billionaire boyfriend, his wife, and her boyfriend. A plan for kidnapping gets shaken up by the oddball characters entangled in this groovy kidnapping romp based upon the novel by Thomas Pynchon. Written by
According to director Paul Thomas Anderson, Joaquin Phoenix and Reese Witherspoon "have their own language and short hand" with each other. While their natural rapport helped to show the chemistry between their characters, this led to Anderson having to constantly remind them to stop chatting so that they could film. See more »
In the same café scene with Doc and Bigfoot, Doc takes a drag off of a cigarette and clearly stubs it out in the ashtray with his right hand. Bigfoot then tells him to pick a card, which he does. Doc looks at the "card", taking a deep drag off another cigarette with his left hand. There was no time in between cuts for Doc to have lit another cigarette. See more »
Doc ran through all the things he hadn't asked Shasta. Like how much she'd come to depend on Wolfmann's guaranteed level of ease and power? And least askable of all, how passionately did she really feel about old Mickey? Doc knew the likely reply, "I love him", what else? With the unspoken footnote that the word these days was being way too overused.
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After the credits roll, the end caption is the opening inscription from Pynchon's novel, Inherent Vice: "Under the Paving-Stones, the Beach!" - Graffito, Paris, May 1968 See more »
This film tells the story of a private detective in Los Angeles who investigates the disappearance of his former girlfriend and a rich real estate tycoon.
"Inherent Vice" has a super incoherent plot. Not only do I not understanding a thing while watching it, I still don't understand it even when I paused the film and read the plot synopsis regularly. So the detective investigates the case, then somehow the case is completely forgotten because a prostitute tells him about a shipment of heroin. There are just far too many characters in the film, each one of them doing their little bit in the story that does not glue together as a whole. Every subplot gets mentioned them dropped, without any satisfactory resolution. This film is a tremendous waste of time!
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