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Inherent Vice (2014)

R  |   |  Crime, Drama, Mystery  |  9 January 2015 (USA)
6.8
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Ratings: 6.8/10 from 35,537 users   Metascore: 81/100
Reviews: 193 user | 358 critic | 43 from Metacritic.com

In 1970, drug-fueled Los Angeles private investigator Larry "Doc" Sportello investigates the disappearance of a former girlfriend.

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(written for the screen by), (based on the novel by)
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Nominated for 2 Oscars. Another 27 wins & 65 nominations. See more awards »

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Cast

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Ensenada Slim
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Dr. Buddy Tubeside
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Bambi
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Glenn Charlock
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Storyline

During the psychedelic 60s and 70s Larry "Doc" Sportello is surprised by his former girlfriend and her plot for her billionaire boyfriend, his wife, and her boyfriend. A plan for kidnapping gets shaken up by the oddball characters entangled in this groovy kidnapping romp based upon the novel by Thomas Pynchon. Written by bignicknasty97

Plot Summary | Plot Synopsis

Genres:

Crime | Drama | Mystery

Motion Picture Rating (MPAA)

Rated R for drug use throughout, sexual content, graphic nudity, language and some violence | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

9 January 2015 (USA)  »

Also Known As:

Vicio propio  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$328,184 (USA) (12 December 2014)

Gross:

$8,093,318 (USA) (20 February 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the scene where Doc reads the file on Bigfoot's late partner, the man is listed as living on "Gummo Marx Way", which is a reference to the fifth member of the Marx Brothers, who did not carry over with the rest of his brothers from vaudeville to movies. See more »

Goofs

When Doc is talking to the girl in Dr. Blatnoyd's office, the name plaque on Dr. Blatnoyd's desk disappears and reappears. See more »

Quotes

Deputy D.A. Penny Kimball: [from trailer]
[as Doc walks in the office]
Deputy D.A. Penny Kimball: Whoa!
Detective: Are you alright?
Deputy D.A. Penny Kimball: Am I?
Doc Sportello: Are you?
Detective #2: Ordinarily, we're the ones asking the questions...
Coy Harlingen: And your question is, which side am I on?
Doc Sportello: Good question!
Man at Desk: [smirking] Wrong answer...
See more »

Crazy Credits

After the credits roll, the end caption is the opening inscription from Pynchon's novel, Inherent Vice: "Under the Paving-Stones, the Beach!" - Graffito, Paris, May 1968 See more »

Connections

Features Red Nightmare (1962) See more »

Soundtracks

Rhythm of the Rain
Written by John Gummoe (as John Claude Gummoe)
Performed by The Cascades
Produced by Barry De Vorzon
Courtesy of Valiant Records
See more »

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User Reviews

 
A Stoned and Surreal Epic!
11 November 2014 | by (United States) – See all my reviews

Paul Thomas Anderson's seventh film, Inherent Vice, is a surreal, kinky, and stoned epic of mammoth proportions. The fact that Anderson decided to be the first director adapt the wild prose of Thomas Pynchon is an achievement in of itself. Set in Los Angeles in the early Seventies, Larry "Doc" Sportello (Joaquin Phoenix) awakens from his stony stupor when his ex-girlfriend (Katherine Waterston) tries to find sanctuary from her real-estate mogul boyfriend, his wife, and her boyfriend. In traditional noir fashion, not all is simple as it sounds as a bigger presence is involved with a cavalcade of characters thrown into Doc's world; a heroin-addicted sax player from a surf-rock band (Owen Wilson), a coked- up dentist with the libido of a rabbit (Martin Short), and an LAPD officer/failed actor (Josh Brolin) busting anyone with long-hair and forming a strange love/hate bond with Doc.

The film is a hybrid of comedy, romance, and mystery inspired by the major film-noir flicks of the 1940s, such as Howard Hawks' The Big Sleep and Fritz Lang's Ministry of Fear, except that rather than having Sam Spade chain smoke cigarettes and drink gimlets, you have Doc Sportello smoking endless joints and drinking tequila zombies. Anderson's perspective of Los Angeles in the Seventies has been shown before in Boogie Nights in all its hedonistic glory, but in the case of Inherent Vice, he manages to capture the mood of L.A. in an earthy, yet naive glow that mirrors the energy and fear that erupted in the wake of the Manson murders and the rise of Nixon's silent majority. No matter how you slice it, Anderson's film fits in the tapestry of other L.A. noir classics like Chinatown and L.A. Confidential, but with the comedic antics of a Cheech and Chong film or an episode of Gilligan's Island.

Joaquin Phoenix gives a brilliantly-nuanced performance as Pynchon's anti-hero private eye. Unlike his last collaboration with Anderson on The Master, Phoenix reigns in his eccentricity with a relaxed, yet stoned, approach and manages to not make Sportello into a clichéd character of the counterculture thanks to the sharp wit and dialogue of Anderson's screenplay. Josh Brolin's performance as Bigfoot Bjornsen is brilliantly comical and tragic as he tries to walk amongst the Indica-smoke streets with the power and authority of Jack Webb from Dragnet. Katherine Waterston gives a remarkable performance as Doc's former flame as she gives a raw and naked performance that is both sympathetic and mysterious. Despite being on film for only ten minutes, Martin Short gives a performance of comedic gold with the eccentricity and insanity as equally as funny as his alter egos like Ed Grimley and Jiminy Glick. Among the other actors who fill out the film, Reese Witherspoon as an assistant D.A. and Doc's part-time love interest, Benecio Del Toro as Doc's confidant and Owen Wilson each give solid performances.

Jonny Greenwood, in his third collaboration with Anderson as composer, creates a score that mirrors the Noir-fashioned sounds of Jerry Goldsmith mixed with the psychedelic sounds of the Laurel Canyon music scene of the early Seventies. Also, the music of Neil Young's Harvest album adds an emotional depth to the romantic interludes between Doc and the women in his life. Robert Elswit's cinematography is as excellent as his previous collaborations with Anderson as he manages to capture the long, strange trip into the underbelly of Los Angeles. Inherent Vice may be at times incoherent and somewhat dense as Pynchon's novel, but it is one hell of a trip!


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