On a crystal clear, starry and bitingly cold winter night a young woman dressed in the traditional Lucia white gown is seen running across the ice while sobbing. She stumbles in her long ... See full summary »
Markus Haglund (Mikael Persbrandt) is a criminal law professor fond of liquors, promiscuous relationships and disobeying superiors. At Uppsala University near Stockholm, he establishes a ... See full summary »
Helena af Sandeberg
Erica's sister Anna is visiting at the same time as the TV program "Antiques cubed" is in town to record at the castle in Fjällbacka. When Anna runs into the TV host for the show, Claes ... See full summary »
Ellen Stenman Göransson
Not all battles are violent. Meet a courageous group of women who takes on both the male rulers of the day and a corrupt grocery industry. Savvy is their strategy and cans of healthy food ... See full summary »
The year is 1975, and the West German embassy in Stockholm is occupied by German terrorists. It's an attack not only on the embassy, but on Sweden's long-standing pride as a peaceful nation... See full summary »
Helena af Sandeberg,
Angèle, a beautiful young woman with a past, arrives in a small fishing harbor in Normandy. She meets Tony, a professional fisherman, who finds himself attracted to her although he dislikes... See full summary »
Shmuli is alone with his 5 years old son and lives with his parents. He works as security guard to make money to fulfill his dream of moving to USA. He falls in love with the young and ... See full summary »
Drama often works by personalising issues; thus a crime drama needs its brilliant detective, uniquely able to see his way through a mystery. And hence, it's no surprise that programmes like 'Cracker' have used the notion of the criminal psychologist - a role whose real life value is marginal in most crimes - as a key protagonist - it's just so much more appealing than having a crime solved through the teamwork of the ordinary. Swedish drama 'Sebastian Bergman' also features a criminal psychologist as its central character, combined with the downbeat feel of other recent Scandanavian dramas ('Wallander', 'The Killing', 'The Bridge', etc.). Unfortuantly, it just isn't very good, combining ridiculous 'Silence of the Lambs'-style plotting with a moody pretentiousness that is mostly irritating. It feels neither like a thriller or real life (whereas the brilliant 'The Killing' felt like both), a beast as lumbering as its weary protagonist. Sadly proof that not everything out of the north is good.
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