Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <email@example.com>
Digital footage equivalent to 1.8 million feet film were shot at a similar notorious ratio of 100:1 (as with Apocalypse Now (1979) and The Hurt Locker (2008)). Co-editor William Goldenberg estimated that 1/8 of the total footage was on the climatic assault of Osama bin Laden's compound. The raid was shot at least twice, one on a normal moonlight illuminated compound, and another on night vision mode. See more »
When the search for Abu Ahmed is on, in one of the scenes you can see a huge green board showing the directions for different locations which include
1. Rajiv Gandhi Chd Technology Park which is an IT hub in Chandigarh, India.
2. Panchkula, which is a satellite town of Chandigarh.
3. And Shimla, which is the capital of the Indian state of Himachal Pradesh. See more »
The filmmakers wish to especially acknowledge the sacrifice of those men, women, and families who were most impacted by the events depicted in this film: the victims and the families of the 9/11 attacks; as well as the attacks in the United Kingdom; the Marriott Hotel in Islamabad, Pakistan; in Khobar, Saudi Arabia; and at the Camp Chapman Forward Operating Base in Afghanistan. We also wish to acknowledge and honor the many extraordinary military and intelligence professionals and first responders who have made the ultimate sacrifice. See more »
I've seen all the reasons viewers (and some critics) dislike this film, but in my opinion it is infinitely superior to ARGO in its authenticity and dramatic quality. The final scenes, when the SEAL team, goes into Ben Laden's house, are brilliantly rendered. The idea of doing it mostly in the dark with flashes of illumination by "night vision" green is a brilliant touch, which most directors would never have attempted.
The performances by Jessica Chastain, of course, Jason Clark and Jennifer Ehle are top drawer and the torture scenes, while brutal, are necessary--because that's the way it happened. Congratulations to Kathryn Bigelow and Mark Boal for getting it right.
I don't want to put the knock on Argo, because I found it entertaining. But it's artificiality provides a distinct contrast with Zero Dark Thirity's authenticity, and authenticity wins.
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