Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <email@example.com>
The stealth helicopters used in the actual mission were heavily modified Sikorsky UH-60 Black Hawks. Anti-radar cladding, like that of the F-117 stealth fighter, helped them avoid detection by Pakistani air defenses, and the extra blades in the main rotors and tail rotors produced less noise than the standard rotors. See more »
(at around 1 hour 27 mins) When searching for Abu Ahmedi's cell signal in the markets of Pakistan, the banners in the market show the phone numbers of various businesses with country code +91 (India) and sign boards with phone numbers starting with city code +172 (the Indian city of Chandigarh). See more »
The filmmakers wish to especially acknowledge the sacrifice of those men, women, and families who were most impacted by the events depicted in this film: the victims and the families of the 9/11 attacks; as well as the attacks in the United Kingdom; the Marriott Hotel in Islamabad, Pakistan; in Khobar, Saudi Arabia; and at the Camp Chapman Forward Operating Base in Afghanistan. We also wish to acknowledge and honor the many extraordinary military and intelligence professionals and first responders who have made the ultimate sacrifice. See more »
Let's see. I've seen comments like shallow, slow, inaccurate, and so on.
The instant I hear anyone associated with a film start talking about a character's "arc", run for the hills. For that is exactly what I did NOT see.
The novelty of rush to production was beyond evident here. At the risk of dredging up a very bad moment in history, this reminded me of 9/11 in reverse. Instead of watching a suspense thriller (after all, this is the movies and a certain amount of acceptance towards suspension of disbelief has to be, well, accepted), I felt like I was watching a slow destruction of history, in backwards deconstruction. I could not decide if I should get behind the characters and this so called "arc" (I did say run for the hills when you hear that word), or the historical unveiling of events, or just the spectacle.
When the movie ended, I was unable to get behind any of these.
Let's make it simple. Disgruntled employee rises above. Hang hat on premise for 2/3rds of the story. Sorry, worn out premise that fell on its face here.
A good script and good story telling backed by solid characters makes for good flicks. This had none of them. If it had been told in documentary form, it might have stood a chance. That this thing was up for best film of the year is a testament to the fickleness of human nature to back the wrong horse because it might have had an interesting pedigree. In this case, the pedigree was a historical event. This horse needs to be given over to the humane society and delivered to a nice family with a pasture, which is where it should be retired to.
PS, because extra additions are now part of a film's experience (DVD), I must add... when the materials focus on things like "being proud of" or "strove for accuracy" or such things... run for more hills. I find films that are worthy stand on their own with great writing, great stories, great direction, essentially greatness which none of this had. The most memorable take-away of watching this is when one remembers the phrase "they are taking themselves way too seriously". When the work stands, little needs to be said. When productions take themselves too seriously, keep running for them thar hills. This effort took itself way too seriously, down to the extras.
5 of 9 people found this review helpful.
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