Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <firstname.lastname@example.org>
In an unusual step, acting CIA Director Michael Morell issued a statement about the film emphasizing that while the production team had met with the CIA, the film is a dramatization and is not historically accurate. Morell specifically contradicted the film's assertion that "enhanced interrogation techniques", also known as "torture", had been of significant benefit in locating Osama bin Laden. Director Morell stated, "That impression is false. We cannot allow a Hollywood film to cloud our memory." See more »
At the start of the Area-51 scene, an aircraft engineer is using a ratchet spanner/wrench - the sound when he turns the wrench is the ratchet (free/no-torque) so the nut/bolt is not being turned. However he then removes the spanner/wrench from the nut/bolt and performs the same action again (clicking the ratchet). The nut/bolt would never be turned if this was actually what was happening. See more »
The filmmakers wish to especially acknowledge the sacrifice of those men, women, and families who were most impacted by the events depicted in this film: the victims and the families of the 9/11 attacks; as well as the attacks in the United Kingdom; the Marriott Hotel in Islamabad, Pakistan; in Khobar, Saudi Arabia; and at the Camp Chapman Forward Operating Base in Afghanistan. We also wish to acknowledge and honor the many extraordinary military and intelligence professionals and first responders who have made the ultimate sacrifice. See more »
I've seen all the reasons viewers (and some critics) dislike this film, but in my opinion it is infinitely superior to ARGO in its authenticity and dramatic quality. The final scenes, when the SEAL team, goes into Ben Laden's house, are brilliantly rendered. The idea of doing it mostly in the dark with flashes of illumination by "night vision" green is a brilliant touch, which most directors would never have attempted.
The performances by Jessica Chastain, of course, Jason Clark and Jennifer Ehle are top drawer and the torture scenes, while brutal, are necessary--because that's the way it happened. Congratulations to Kathryn Bigelow and Mark Boal for getting it right.
I don't want to put the knock on Argo, because I found it entertaining. But it's artificiality provides a distinct contrast with Zero Dark Thirity's authenticity, and authenticity wins.
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