Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Maya is a CIA operative whose first experience is in the interrogation of prisoners following the Al Qaeda attacks against the U.S. on the 11th September 2001. She is a reluctant participant in extreme duress applied to the detainees, but believes that the truth may only be obtained through such tactics. For several years, she is single-minded in her pursuit of leads to uncover the whereabouts of Al Qaeda's leader, Osama Bin Laden. Finally, in 2011, it appears that her work will pay off, and a U.S. Navy SEAL team is sent to kill or capture Bin Laden. But only Maya is confident Bin Laden is where she says he is. Written by
Jim Beaver <firstname.lastname@example.org>
This movie depicts a high-level CIA official (known in the film as "The Wolf" and played by Fredric Lehne) as a devout Muslim. This corresponds with a March 24, 2012, Washington Post article titled "At CIA, a Convert to Islam Leads the Terrorism Hunt," which (pseudonymously) profiles "Roger," the chief of the CIA's Counterterrorism Center and identifies him as an adult convert to Islam. See more »
The film depicts torture, and especially waterboarding, as being essential to finding Abu Ahmed al-Kuwaiti, and thus ultimately the whereabouts of bin Laden himself. In reality, while some of the detainees were tortured by American personnel, they gave up no accurate information about Abu Ahmed. All of the information used to identify and locate him was acquired through traditional interrogation techniques. See more »
I totally agree with the blog posted on Dawn.com regarding this movie by Nadeem F. Paracha.
Zero Dark Thirty', was quite an experience. Though sharp in its production and direction and largely accurate in depicting the events that led to the death of Osama Bin Laden, it went ballistic bad in depicting everyday life on the streets of Pakistan.
With millions of dollars at their disposal, I wonder why the makers of this film couldn't hire even a most basic adviser to inform them that
1: Pakistanis speak Urdu, English and other regional languages and NOT Arabic;
2: Pakistani men do not go around wearing 17th and 18th century headgear in markets;
3: The only Urdu heard in the film is from a group of wild-eyed men protesting against an American diplomat, calling him 'chor.' Chor in Urdu means robber. And the protest rally was against US drone strikes. How did that make the diplomat a chor?
4: And how on earth was a green Mercedes packed with armed men parked only a few feet away from the US embassy in Islamabad? Haven't the producers ever heard of an area called the Diplomatic Enclave in Islamabad? Even a squirrel these days has to run around for a permit to enter and climb trees in that particular area.
I can go on.
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