| Photos (See all 10 | slideshow) | Videos |
| Brady Corbet | ... | Simon | |
| Nicolas Ronchi | ... | Carlo | |
| Constance Rousseau | ... | Marianne | |
| Lila Salet | ... | Sophie | |
| Etienne Rotha Moeng | ... | Cambodian Man | |
| Yannis Calonnec | ... | Street Hustler | |
| Mati Diop | ... | Victoria / Noura | |
| Shaina | ... | Madame | |
| Oksana | ... | Hostess Bar Worker | |
| Anais | ... | Hostess Bar Worker | |
| Catie | ... | Hostess Bar Worker | |
| Frederic Jolie | ... | Customer | |
| Alexandra Neil | ... | Simon's Mom | |
| Samir Hartouf | ... | Gare du Nord Kid | |
| Djibril Othmane | ... | Gare du Nord Kid | |
| Sofiane Salehi | ... | Gare du Nord Kid | |
| Michaël Abiteboul | ... | Jean | |
| Solo | ... | René | |
| Pakels Koleda | ... | Drunk at Cafe | |
| Johan Jacques-Andre Coquin | ... | Brothel Runner | |
| Marc Gaviard | ... | Customs Officer |
Directed by | |||
| Antonio Campos | |||
Writing credits(in alphabetical order) | ||
| Antonio Campos | ||
| Brady Corbet | writer | |
| Mati Diop | writer | |
Produced by | |||
| Sean Durkin | .... | producer (as T. Sean Durkin) | |
| Marie-Louise Khondji | .... | associate producer | |
| Florence Lobet | .... | associate producer | |
| Josh Mond | .... | producer | |
| Alexander Norton | .... | associate producer | |
| Matt Palmieri | .... | producer | |
| Melody C. Roscher | .... | co-producer | |
Original Music by | |||
| Danny Bensi | (as Daniel Bensi) | ||
| Saunder Jurriaans | |||
Cinematography by | |||
| Joe Anderson | |||
Film Editing by | |||
| Zachary Stuart-Pontier | |||
Casting by | |||
| Nicolas Ronchi | |||
| Susan Shopmaker | |||
Production Design by | |||
| Nicolas de Boiscuillé | |||
Production Management | |||
| Susan Lazarus | .... | post-production supervisor | |
| Thomas Paturel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tomas Deckaj | .... | first assistant director | |
Art Department | |||
| Benoît Herlin | .... | property master | |
Sound Department | |||
| Coll Anderson | .... | re-recording mixer: supervising sound editor | |
| Micah Bloomberg | .... | sound | |
| Matt Snedecor | .... | sound effects editor | |
Camera and Electrical Department | |||
| Loïc Andrieu | .... | steadicam operator | |
| Benoît Meignan | .... | first assistant camera | |
| Etienne Fu-le Saulnier | .... | second assistant camera | |
Editorial Department | |||
| Sam Daley | .... | colorist | |
| J.D. Funari | .... | trailer editor | |
| Gordon Holmes | .... | first assistant editor | |
| Richie Roefaro | .... | final cut pro technician | |
| Kevin Vale | .... | digital intermediate producer | |
Music Department | |||
| Josh Kessler | .... | music supervisor | |
Other crew | |||
| Julie Mura | .... | production assistant | |
| Angélique Nya | .... | production assistant | |
| Koji Rodrigues | .... | key production assistant | |
| Ian M. Stratford | .... | financial counsel | |
Thanks | |||
| Andrew Renzi | .... | special thanks | |
| Emily Wiedemann | .... | thanks | |
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| EuroTrip | Persepolis | No Man's Land | Before Sunset | Catch Me If You Can |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Oh boy oh boy oh boy oh boy. Thankfully, was able to catch this in the Institute of Contemporary Arts here in London. I was expecting to be disappointed because I had such high hopes after AFTERSCHOOL and was ready to agree with my friends that this would be wanky, but they actually really dug it. Even with all the nudity and visually arresting red-and-blue strobe transitions. Maybe I just have more open-minded friends who just trust my taste in movies, but they really took something out of it and we discussed quite a lot on the way back which was mostly about Simon's psyche.
Simon is a fascinating character. Brady Corbet really commits to an incredibly personal and unsettling persona.
Disturbing, confusing, creepy, trippy holiday from hell. Yes, it's about an American who's just broken up and goes to France to hook up with a prostitute but it's done in the most arty, otherworldly style. It's just so primal from the cinematography (lots of behind person camera tracking shots) down to the score of drones and drums getting you right into the head of Simon. GOOD LORD THE SOUNDTRACK! "It Takes A Muscle To Fall In Love", LCD Soundsystem. I think this one has SPRING BREAKERS beat for this year in terms of foreboding score and licensed synth-pop tracks. But just as you're about to get comfortable, the music is abruptly stopped which fits Simon's character.
The way the camera operates in this very voyeuristic, CCTV robot-like manner (just like in AFTERSCHOOL). It'll have the camera focus on a table with a girl laying down the groceries (bananas and bags of cocaine), then to her movements, characters talking, and eventually resulting in a long shot where you're just been immersed into everything rather than just the dialogue.
It just makes for a very claustrophobic experience, and you can't wait to breath for the next day to come.