In post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay ...
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The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
In post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay man made to feel ashamed of his orientation, has been in prison and is sought out by his ex-cell-mate, Robert Fraser, who served time as a conscientious objector and is now concerned for the young man's welfare. Viv encounters Kay Langrish, a wealthy, reclusive, butch lesbian and for both women this evokes memories of the period three years earlier (1944) when Kay was an heroic ambulance driver in a happy, loving relationship with Helen -- before Kay introduced her to her ex-lover Julia. At that time, Viv and Reggie are forced to procure the services of a dentist moonlighting as an abortionist. About to die from blood loss, and having been abandoned by Reggie, Kay saves her from prosecution by claiming she was a married woman who had miscarried. Three years before that (1941) Kay and Julia are still ... Written by
don @ minifie-1; kumarihpx
If you go to the cinema, midway through a film, you watch the second half first, don't you? So you see how the characters end up, in the story. What happened to turn them into the people they became? It's like a riddle you have to solve.
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I watched this quite literally minutes after finishing the book it's based on. With that in mind, I find that it is a very faithful adaptation of the book; only changing minor elements, mainly for the sake of cutting down scenes and giving more of a conclusive ending than the book. However, I'm not sure that this makes it a good movie.
I enjoyed it thoroughly, but a lot of that was because I knew what was going on in the heads of each character in every scene. I had the narrative of the book backing up the long silent scenes. I feel like without knowing the book, it is a movie with sparing dialogue, and a lot of inference. It's more like looking at a set of well-crafted paintings than a guided journey.
Still, as it is faithful to a rich source, it has excellent characters, which are the main structure of the story. I feel they did a good job with casting all-around, and in the end I felt like I got to experience rereading the book on fast-forward with new visuals.
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