During the most tumultuous time for media in generations, filmmaker Andrew Rossi gains unprecedented access to the newsroom at The New York Times. For a year, he follows journalists on the paper's Media Desk, a department created to cover the transformation of the media industry. Through this prism, a complex view emerges of a media landscape fraught with both peril and opportunity, especially at the Times itself. Written by
I'm a regular guy and I go to these places and I go, "OK, everyone talked to me about cannibalism, right? Everyone talked about cannibalism." Now I'm getting a lot of shit for talking about cannibalism. Whatever. Everyone talked to me about cannibalism! That's fucking crazy! So the actual... our audience goes, 'That's fucking insane, like, that's nuts!' The New York Times, meanwhile, is writing about surfing, and I'm sitting there going like, 'You know what? I'm not going to talk about surfing,...
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Written by Beck (as Beck Hansen)
Performed by Beck
Published by Astidal, LLC
Administered by Kobalt Music Publishing America, Inc.
Courtesy of Geffen Records under license
from Universal Music Enterprises See more »
"Page One" promises a look inside the New York Times, but it's also focused on the question that looms large over the whole industry: how can print journalism sustain itself? It's a worthy question, and goodness knows the movie devotes plenty of time to the issue. And if you're on the side of legacy journalism, then revel in the film's best character, David Carr (print's staunchest defender). This guy's all teeth. It's a fun scene watching him shoot down an aggregator during a debate.
But the movie's at its best when it's about the newsroom, and this is compelling stuff: decisions being made during the Wikileaks info dump, Iraq withdrawal, and the laying off o a great deal of the paper's workforce. You do get to be a fly on the wall, and during these scenes, it's good stuff.
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