Black and White and Dead All Over is an in-depth look at the newspaper industry as it struggles to remain financially viable and to keep the presses rolling. Through the voices of prominent... See full summary »
At the end of 2005, New York's famed restaurateur, Sirio Maccioni, closed Le Cirque, destination of the rich and famous. During 2006, he and his three sons, open a new Le Cirque, taking ... See full summary »
Documentary on reported Conservative bias of the Rupert Murdoch-owned Fox News Channel (FNC), which promotes itself as "Fair and Balanced". Material includes interviews with former FNC employees and the inter-office memos they provided.
Infamously blunt, Wilma Stephenson runs a "boot camp" teaching Culinary Arts at Frankford High, disciplining her students into capable chefs and responsible students. But behind her tough ... See full summary »
During the most tumultuous time for media in generations, filmmaker Andrew Rossi gains unprecedented access to the newsroom at The New York Times. For a year, he follows journalists on the paper's Media Desk, a department created to cover the transformation of the media industry. Through this prism, a complex view emerges of a media landscape fraught with both peril and opportunity, especially at the Times itself. Written by
I'm a regular guy and I go to these places and I go, "OK, everyone talked to me about cannibalism, right? Everyone talked about cannibalism." Now I'm getting a lot of shit for talking about cannibalism. Whatever. Everyone talked to me about cannibalism! That's fucking crazy! So the actual... our audience goes, 'That's fucking insane, like, that's nuts!' The New York Times, meanwhile, is writing about surfing, and I'm sitting there going like, 'You know what? I'm not going to talk about surfing,...
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Written by Beck (as Beck Hansen)
Performed by Beck
Published by Astidal, LLC
Administered by Kobalt Music Publishing America, Inc.
Courtesy of Geffen Records under license
from Universal Music Enterprises See more »
An Interesting well-made film about how the NY Times is adjusting to new media environment
As a long time reader of the New York Times, I was delighted to see that Page One was showing at Austin's SXSW Film Festival. Page One is a provocative film that explores the complexities of the new media landscape in which the New York Times now finds itself trying to compete and keep its head above water. It is one of the few films that I've seen that really provides the viewer with an inside look at how a major newspaper operates. While the film tends to be pro-New York Times by the very nature of the fact that it was made with their cooperation, it still comes off as fair portrait of America's paper of record. The film focuses in on the media division and how the Times is coping with new challenges from Wikileaks, online news sources, web logs, news aggregating websites, twitter, etc. The film clearly shows why we still need the "so-called" old media to provide the investigative journalism that is hard to find elsewhere.
Newspapers and especially the elite newspapers remain a crucial element in our political culture in that they provide a check against abuse of power by both government and corporations. The internet new media still relies on old media for its reporting and is not equipped to replace it. Clearly new models for cooperation between new and old are needed that will allow mainstream media to continue to profitable. The NY Times is proud, magisterial, occasionally arrogant, and absolutely necessary. Like any old institution, it will survive if it continues to change and evolve for new times and technologies.
Page One is part of an on-going conversation that the United States is having about how media will evolve in the age of the Internet. It is useful film for engaging the broader public in the conversation.
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